Ideology critique raises a claim that it shares with hermeneutics, namely, the claim to understand an “author” better than he understands himself. What at first sounds arrogant about this claim can be methodologically justified. Others often really do perceive things about me that escape my attention—and conversely. They possess the advantage of distance, which I can profit from only retrospectively through dialogic mirroring. This, of course, would presuppose a functioning dialogue, which is precisely what does not take place in the process of ideology critique. An ideology critique that does not clearly accept its identity as satire can, however, easily be transformed from an instrument in the search for truth into one of dogmatism. All too often, it interferes with the capacity for dialogue instead of opening up new paths for it.
German philosopher (born 1947)
Peter Sloterdijk (born June 26, 1947, in Karlsruhe) is a German philosopher, television host, cultural scientist and essayist. He is a professor of philosophy and media theory at the University of Art and Design Karlsruhe.
From: Wikiquote (CC BY-SA 4.0)
For as long as possible, the learned collegium has tried to defend its integrity against the close combat of ideologico-critical exposures. Do not unmask, lest you yourself be unmasked could be the unspoken rule. It is no accident that the great representatives of critique—the French moralists, the Encyclopedists, the socialists, and especially Heine, Marx, Nietzsche, and Freud—remain outsiders to the scholarly domain. In all of them there is a satirical, polemical component that can scarcely be hidden under the mask of scholarly respectability. These signals of a holy nonseriousness, which remains one of the sure indexes of truth, can be employed as signposts to the critique of cynical reason.
The gesture of exposure characterizes the style of argumentation of ideology critique, from the critique of religion in the eighteenth century to the critique of fascism in the twentieth. Everywhere, one discovers extrarational mechanisms of opinion: interests, passions, fixations, illusions. That helps a bit to mitigate the scandalous contradiction between the postulated unity of truth and the factual plurality of opinions—since it cannot be eliminated. Under these assumptions, a true theory would be one that not only grounds its own theses best, but also knows how to defuse all significant and persistent counterpositions through ideology critique.
Ideology critique, having become respectable, imitates surgical procedure: … The opponent is cut open in front of everyone, until the mechanism of his error is laid bare. … Ideology critique is now interested not in winning over the vivisected opponent but in focusing on the “corpse,” the critical extract of its ideas. … Those who previously did not want to engage in enlightenment will want to do so even less now that they have been dissected and exposed by the opponent.
“Philosophical” ideology critique is truly the heir of a great satirical tradition, in which the motif of unmasking, exposing, baring has served for aeons now as a weapon. But modern ideology critique—according to our thesis has ominously cut itself off from the powerful traditions of laughter in satirical knowledge.
Because there are no truths that can be taken possession of without a struggle, and because all knowledge must choose a place in the configuration of hegemonic and oppositional forces, the means of establishing knowledge seem to be almost more important than the knowledge itself. … The demand to universalize the rational draws it into the vortex of politics, pedagogy, and propaganda. With this, enlightenment consciously represses the harsh realism of older precepts of wisdom, for which there was no question that the masses are foolish and that reason is to be found only among the few. Modern elitism has to encode itself democratically.
The only loyalty to enlightenment consists in disloyalty. This can be partly understood from the position of its heirs, who look back on the “heroic” times and are necessarily more skeptical of the results. To be an heir always carries a certain “status cynicism” with it, as is well known from stories about the inheritance of family capital.
Cynicism is enlightened false consciousness. It is that modernized, unhappy consciousness, on which enlightenment has labored both successfully and in vain. It has learned its lessons in enlightenment, but it has not, and probably was not able to, put them into practice. Well-off and miserable at the same time, this consciousness no longer feels affected by any critique of ideology; its falseness is already reflexively buffered.
Zynismus ist das aufgeklärte falsche Bewußtsein, an dem Aufklärung zugleich erfolgreich und vergeblich gearbeitet hat. Es hat seine Aufklärungselektion gelernt, aber nicht vollzogen und wohl nicht vollziehen können. Gutsituiert und miserabel zugleich fühlt sich dieses Bewußtsein von keiner Ideologiekritik mehr betroffen; seine Falschheit ist bereits reflexiv gefedert.
Psychologically, present-day cynics can be understood as borderline melancholics, who can keep their symptoms of depression under control and can remain more or less able to work. … Their psychic (seelisch) apparatus has become elastic enough to incorporate as a survival factor a permanent doubt about their own activities. They know what they are doing, but they do it because, in the short run, the force of circumstances and the instinct for self-preservation are speaking the same language, and they are telling them that it has to be so.
To be “reasonable” means to put oneself into a special, rarely happy relation to the sensuous. “Be reasonable” means, practically speaking, do not trust your impulses, do not listen to your body, learn control, starting with your own sensuousness. But intellect and sensuousness are inseparable. Torless’s outbreak of sweating after two pages of the Critique of Pure Reason contains as much truth as the whole of Kantianism. The understood mutual interaction of physis and logos is philosophy, not what is spoken.
Does not an ingenuous contact with Kantian thinking, with philosophical thinking in general, contain the risk of exposing a young consciousness to a violent and sudden aging? What of a youthful will to know is preserved in a philosophy that makes one dizzy with its bony spiraling turns of the screw?