That was my problem then and it's my problem now; I have a bad attitude. In a nutshell, I fear authority but at the same time I resent it — the authority and my own fear — so I rebel. And writing SF is a way to rebel. ... SF is a rebellious art form and it needs writers and readers and bad attitudes — an attitude of "Why?" or "How come?" or "Who says?"

“But what are you supposed to do in a society that’s corrupt? Are you supposed to obey corrupt laws? Is it a crime to break a law that’s a rotten law, or an oath that’s rotten?
“It’s a crime,” Cartwright admitted slowly. “But it may be the right thing to do.”
“In a society of criminals,” Shaeffer offered, “the innocent man goes to jail.”
“Who decides when the society is made up of criminals? Benteley demanded. “How do you know when your society has gone wrong? How do you know when it’s right to stop obeying the laws?”
“You just know,” Rita O'Neill said fiercely.

He felt the pressure of her love as she squeezed his fingers, and then there was nothing. Except the pain. But nothing else, no Heather, no hospital, no staff men, no light. And no sound. It was an eternal moment and it absorbed him completely.

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Imagine being sentient but not alive. Seeing and even knowing, but not alive. Just looking out. Recognizing but not being alive. A person can die and still go on. Sometimes what looks out at you from a person’s eyes maybe died back in childhood. What’s dead in there still looks out. It’s not just the body looking at you with nothing in it; there’s still something in there but it died and just keeps on looking and looking;

Grief causes you to leave yourself. You step outside your narrow little pelt. And you can’t feel grief unless you’ve had love before it – grief is the final outcome of love, because it’s love lost. You do understand; I know you do. But you just don’t want to think about it. It’s the cycle of love completed: to love, to lose, to feel grief, to leave, and then to love again. Jason, grief is awareness that you will have to be alone, and there is nothing beyond that because being alone is the ultimate final destiny of each individual living creature. That’s what death is, the great loneliness.

Each of us assumes everyone else knows what HE is doing. They all assume we know what WE are doing. We don't ... Nothing is going on and nobody knows what it is. Nobody is concealing anything except the fact that he does not understand anything anymore and wishes he could go home.

There is a line somewhere in Wozzeck that translates out to, roughly, 'The world is awful.' Yes, I said to myself as I shot across the Bay Bridge not giving a fuck how fast I drove, that sums it up. That is high art: 'The world is awful.' That says it all. This is what we pay composers and painters and the great writers to do: tell us this; from figuring this out, they earn a living. What a masterful, incisive insight. What penetrating intelligence. A rat in a drain ditch could tell you the same thing, were it able to talk. If rats could talk, I'd do anything they said.

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We must content ourselves with the mystery, the absurdity, the contradictions, the hostility, but also the generosity that our environment offers us. It's not much, but it's always better than the deadly, defeatist certainty of the paranoid.