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I now know that if you describe things as better as they are, you are considered to be romantic; if you describe things as worse than they are, you are called a realist; and if you describe things exactly as they are, you are called a satirist.

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'You talk for talking’s sake,' she hissed. I asked if that was bad. 'I mean it,' the girl replied. 'You talk for talking’s sake.' I had heard her the first time and had understood the words but not the contempt with which they were charged. 'Would you be equally annoyed,' I asked, 'if I danced for dancing’s sake? […] I should have said, 'Would you hate me if I lived for living’s sake?' This would have been the total question — the one to which a full reply could have saved the world.

To read a novel or see a play was to drink life through a straw — to smoke it through a filter-tip. If we were not afraid of blackening our teeth or riddling our lungs with cancer — if we were a dauntless race of men with strong digestions — we would be able to devour life without the aid of these over-civilized devices.

"You'll never be wanted," [a draft board official] said, and thrust at me a smaller piece of paper. This described me as being incapable of being graded in grades A, B, etc., because I suffered from sexual perversion. When the story of my disgrace became one of the contemporary fables of Chelsea, a certain Miss Marshall said, "I don't much care for the expression 'suffering from.' Shouldn't it be 'glorying in'?"

Another friend began to say, "Well, Quentin has a problem of adjusting himself to society and he..." This sentence was never finished. The ballet teacher expostulated, "I don't agree. Quentin does exactly as he pleases. The rest of us have to adapt ourselves to him."