"Remember that, Carter. Nobody double-crosses Archie Costello and gets away with it. When you least expect it, revenge will come." Without a further word, Archie stepped across the driveway, in front of the car, under the spotlight, and up to his front door. Then he was gone into the house. He left Carter there, shaken, not only by the prospect of Archie's revenge sometime in the future but what he had almost done. He'd almost turned traitor against Obie. Which meant being a traitor a second time. Not once but twice. Christ, he thought, what have I become?

Notices for Vigil meetings were always posted on the main bulletin board in the first-floor corridor, directly across from the Headmaster's office. Archie was entertained by the location of the notice right under Leon's nose. The notice was simple, involving the words TRINTY HIGH SCHOOL at the top of the board. On the day of the meeting, the Y of Trinity was inverted. Which made it look, as Archie said, like an upright finger. Thus, the Vigils giving the finger to the world while calling a meeting. That's what the upside-down Y was called: the Finger.

"You're a real bastard," Obie said finally, his frustration erupting, like a Coke exploding from a bottle after you shake it. "You know that?" Archie turned and smiled at him benevolently, like a goddamn king passing out favors. "Jesus," Obie said, exasperated. "Don't swear, Obie," Archie chided him. "You'll have to tell it in confession." "Look who's talking. I don't know how you had the nerve to receive communion in the chapel this morning." "It doesn't take nerve, Obie. When you march down the rail, you're receiving The Body, man. Me, I'm just chewing a wafer they buy by the pound in Worcester." Obie looked away in disgust. "And when you say 'Jesus', you're talking about your leader. But when I say 'Jesus,' I'm talking about a guy who walked the earth for thirty-three years like any other guy but caught the imagination of some PR cats. PR for Public Relations, in case you don't know, Obie." Obie didn't bother to answer. You couldn't ever win an argument with Archie.

Archie waited a beat- in strict command of the room, the silence almost unbearable- and said, "Everything in Brother Eugene's room is held together by screws. The chairs, the desks, the blackboards. Now, with your little screwdriver- maybe you'd better bring along various and assorted sizes, just in case- you start to loosen. Don't take out the screws. Just loosen them until they reach the point where they're almost ready to fall out, everything hanging by a thread..." A howl of delight came from the guys- probably Obie, who had gotten the picture, who could see the house that Archie was building, the house that didn't exist until he built it in their minds.

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The real reason was all the things Jason had seen Bobo do over the course of the year. Sly stuff. Tripping someone, pulling a guy's shirt out of his pants, slamming a locker door so that Johnny Moran's fingers got caught and jammed. Nobody did anything about Bobo. Merely accepted his actions. Or maybe didn't see his mean little tricks. But Jason prided himself on his powers of observation. When you're an outsider, and not part of the bunch, you're in a position to see what others don't see.

Let's get this straight: he didn't really cry but his chin would begin to wobble all over the place and tears would fill his eyes and he'd have to hold himself rigid to make it all stop. But he couldn't always make it stop. Then the fight with Bobo Kelton happened and changed everything. That was when he vowed not to cry anymore. Not during the fight but afterward. And it wasn't even a fight but one sweet and beautiful blow that sent Bobo to the floor. The surprise and shock on Bobo's fight had been terrific to see.

"I am Archie Costello," he said. "And I'll always be there, Obie. You'll always have me wherever you go and whatever you do. Tomorrow, ten years from now. Know why, Obie? Because I'm you. I'm all the things you hide inside you. That's me-" "Cut it out," Obie said. He hated it when Archie began to get fancy, spinning his wheels. "What you're saying is a lot of crap. I know who you are. And I know who I am." But do I, he wondered, do I?

The assignment must fit the kid. That's the beauty of it, Obie." Obie waited a minute or two and couldn't resist asking, "You running out of ideas, Archie?" The great Archie Costello running dry? The possibility was staggering to contemplate. "Just being artistic, Obie. It's an art, you know. Take a kid like this Renault. Special circumstances." He fell silent. "Put him down for the chocolates.

"Know what, Archie" "What?" "Life is sad, sometimes." That was one of the great things about Arcie, you could say things like that. "Life is shit," Archie said. The shadows of he goal posts definitely resembled a network of crosses, empty crucifixes. That's enough symbolism for one day, Obie told himself. If he hurried he could make the four o'clock bus to work.

Brother Leon arrived late for the performance. His late entrance was not a surprise. Everybody knew that Leon hated the student skits and sketches. Too often there had been hilarious takeoffs on the faculty and, a few years ago, a devastating burlesque of Brother Leon by a student named Henry Boudreau. Boudreau had minced across the stage, speaking in a prissy voice, wielding an oversized baseball bat the way Leon used his teacher's pointer, as a weapon. The performance had become a legend at Trinity. But funny thing about Boudreau: He had flunked out at the end of the year.

"What are you doing here, Caroni?" Brother Leon asked, looking up from his desk. He squinted toward the doorway. "It is Caroni, isn't it?" "Yes, it is," David answered, closing the door soundlessly, hiding the object in his hand behind his back.

Horrified, The Goober counted the punches Janza was throwing at his helpless opponent. Fifteen, sixteen. He leaped to his feet. Stop it, stop it. But nobody heard. His voice was lost in he thunder or screaming voices, voices calling for the kill... kill him, kill him.

"It'll be all right, Jerry." No it won't. He recognized Goober's voice and it was important to share the discovery with Goober. He had to tell Goober to play ball, to play football, to run, to make the team, to sell the chocolates, to do whatever they wanted you to do. He tried to voice the words but there was something wrong with his mouth, his teeth, his face. But he went ahead anyway, telling Goober what he needed to know. They tell you to do your thing but they don't mean it. They don't want you to do your thing, not unless it happens to be their thing, too. It's a laugh, Goober, a fake. Don't disturb the universe, Goober, no matter what the posters say. His eyes fluttered open and he saw Goober's face all askew, like a broken movie film. But he was able to see the concern the worry on his face. Take it easy, Goober, it doesn't even hurt anymore. See? I'm floating, floating above the pain. Just remember what I told you. It's important. Otherwise, they murder you.

So he ignored the heat now and wondered about what he should do next. If he was going to show what he could do and really did it this time instead of saying he did when he didn't, he remembered that Bobo Kelton hung around the Rec Center a lot, every day, showing off as usual, laughing and sly, as usual. Jason looked at the clock. Ten minutes before three. Hot afternoon. He knew that Bobo would be at the Center. All he had to do was go there and wait. Across the street. A beautiful feeling of sweetness came over him. He lifted his head, let the feeling carry him for a while, like a fresh breeze in his heart. Then he went into the kitchen and took the butcher knife out of the drawer.

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Trent could see the despair in the boy's eyes, his body drooping with weariness, the trembling of his chin, the tears staining his cheeks. He sensed the imminent moment of success, felt the sweet thrill of triumph, everything else cast aside for the moment, all doubts gone. This was what he was hired to do, what he was born to do. You are what you do. Ah, Lottie. Ah, Sarah. Five minutes later, the boy uttered the words Trent needed to hear. As the machine whirred, recording the bruised and broken voice.