So he ignored the heat now and wondered about what he should do next. If he was going to show what he could do and really did it this time instead of saying he did when he didn't, he remembered that Bobo Kelton hung around the Rec Center a lot, every day, showing off as usual, laughing and sly, as usual. Jason looked at the clock. Ten minutes before three. Hot afternoon. He knew that Bobo would be at the Center. All he had to do was go there and wait. Across the street. A beautiful feeling of sweetness came over him. He lifted his head, let the feeling carry him for a while, like a fresh breeze in his heart. Then he went into the kitchen and took the butcher knife out of the drawer.
American author and journalist (1925–2000)
Robert Edmund Cormier (January 17, 1925 – November 2, 2000) was an American author, columnist and reporter, known for his deeply pessimistic, downbeat literature. His most popular works include I Am the Cheese, After the First Death, We All Fall Down and The Chocolate War, all of which have won awards. The Chocolate War was challenged in multiple libraries. His books often are concerned with themes such as abuse, mental illness, violence, revenge, betrayal and conspiracy. In most of his novels, the protagonists do not win.
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The transcript lay there, waiting for him as he hung up the telephone. Waiting for him to open it again. Trent Interview. Subject: Dorrant. Jason Dorrant. Poor kid, but at least he was young, free, not caught and fixed in time, as if frozen in ambers. Like so many others. Like me. You are what you do, Lottie had said. But now I don't do anything.
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Three days of thirty, Trent knew there would be no response. Sarah Downes would not be calling back. Neither would the senator. His jaw began to ache, like an old enemy asserting its presence. "Don't forget your appointment with the chief," Effie said, sudden sympathy in her voice. She knew what awaited him at the meeting: a demotion not in rank but in everything else. Maybe the graveyard shift,midnight to eight. No more special privileges, no more interrogations. There probably wouldn't be any more calls for interrogations, anyway.
Trent could see the despair in the boy's eyes, his body drooping with weariness, the trembling of his chin, the tears staining his cheeks. He sensed the imminent moment of success, felt the sweet thrill of triumph, everything else cast aside for the moment, all doubts gone. This was what he was hired to do, what he was born to do. You are what you do. Ah, Lottie. Ah, Sarah. Five minutes later, the boy uttered the words Trent needed to hear. As the machine whirred, recording the bruised and broken voice.
"So you know how it all works. How first you confess and then are given absolution. You have to admit your sins before you can be forgiven." Jason nodded, wondering what being a Catholic and going to confession had to do with his situation here, his sudden predicament. "Well, there is something you have to do before we can take steps to protect you." A dim warning sounded somewhere in Jason's mind, his body, his spirit- he wasn't sure which or where but he was suddenly jolted thoroughly. Confession. A different word from confess. He suddenly saw where this man was going. He wanted Jason to confess. To confess to killing Alicia Bartlett. Jason almost giggled his disbelief, a reaction that was as unpremeditated and unexpected as a belch. "You want me to say I killed Alicia Bartlett?" Horror, disbelief in his voice.
Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here. He realized that he could get out of there. He could simply get up and leave. He didn't have to even speak to anybody. Hadn't they said this was voluntary? He was a volunteer. Well, he didn't feel like being a volunteer anymore. He wanted to go home.
Mr. Trent puzzled him. He seemed friendly, like he really wanted to help find out who had murdered Alicia, wanted to help Jason remember what had really happened that day, but at the same time there was something strange about his questions. Jason used the word strange for want of a better word. He couldn't figure Trent out or what he wanted Jason to say. Sometimes he seemed unfriendly, like Jason had done something wrong, had broken a rule,a rule Jason didn't even know about. And those eyes of his. Like black marbles but alive, that didn't blink very much, that seemed to look right into your brain.
Jason listened to Mr. Hobart going on about violence and the uselessness of revenge and he nodded, but all the time, he was happy. He had done something. He had taken action. He had socked Bobo Kelton. Given him a bloody nose. He didn't think he'd ever hit anybody again but he had proved himself capable of doing it. And at the same moment, in Mr. Hobart's office, letting the principal's words fil the air but not his ears, he had vowed never to cry again.
The real reason was all the things Jason had seen Bobo do over the course of the year. Sly stuff. Tripping someone, pulling a guy's shirt out of his pants, slamming a locker door so that Johnny Moran's fingers got caught and jammed. Nobody did anything about Bobo. Merely accepted his actions. Or maybe didn't see his mean little tricks. But Jason prided himself on his powers of observation. When you're an outsider, and not part of the bunch, you're in a position to see what others don't see.
Let's get this straight: he didn't really cry but his chin would begin to wobble all over the place and tears would fill his eyes and he'd have to hold himself rigid to make it all stop. But he couldn't always make it stop. Then the fight with Bobo Kelton happened and changed everything. That was when he vowed not to cry anymore. Not during the fight but afterward. And it wasn't even a fight but one sweet and beautiful blow that sent Bobo to the floor. The surprise and shock on Bobo's fight had been terrific to see.
Janza grinned, amazed at the accuracy of Archie's predictions. You'll have a great year, Achie had said. Which Janza echoed now: "We're going to have a great year, Bunting." Bunting nodded. Continued to stare into space. Not wanting to look at Janza nor or anybody or anything. Staring into the future, next year, beyond. Him, Bunting, in command of the entire school. Stooges at his beck and call. An army at his disposal. No rules except those he made up. The boss. More than that. Like a dictator, for crissake. Beautiful.
The tomato hit Brother Leon on his left cheek, a ripe tomato that exploded in juicy fury, splattering his shirt and his hair and smearing his face with what looked like blood. Nobody said anything. Nobody moved. Nobody cheered or booed. Everybody sat there in a profound silence as Brother Leon, mouth agape, wiped the tomato from his face, still silent as he stalked from the stage, leaving an assembly hall full of students who sat stunned, silent for a few minutes, then quietly filed out of the hall. Brother Leon never learned the culprit's name. He, in fact, never made an effort to do so. Nobody else ever mentioned the incident. But Henry Malloran was elected president of the senior class at the next day's election and nobody ran against him.
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"I am Archie Costello," he said. "And I'll always be there, Obie. You'll always have me wherever you go and whatever you do. Tomorrow, ten years from now. Know why, Obie? Because I'm you. I'm all the things you hide inside you. That's me-" "Cut it out," Obie said. He hated it when Archie began to get fancy, spinning his wheels. "What you're saying is a lot of crap. I know who you are. And I know who I am." But do I, he wondered, do I?