American writer
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People will always respond differently to the story of a sexually abused third grader than they will that of a young woman who is violated by a friend at a booze-soaked house party. There is a kind of fairness in that, since they are very different stories. Yet, in many ways, they are so intimately intertwined: they both rely on the belief in ownership of the vulnerable body, whether female or child or both. The idea that one violation is vastly worse than the other is probably not so different a rationalization than what goes through a date rapist’s mind. Those who are disgusted at the idea of touching a child may be the exact same that would grope an adult woman in an alleyway or on a crowded subway train — or worse.
"There are books written by women. There are books written by men. Somehow, though, it is only books by women, or books about certain topics, that require this special "women's fiction" designation, particularly when those books have the audacity to explore, in some manner, the female experience, which, apparently, includes the topics of marriage, suburban existence, and parenthood, as if women act alone in these endeavors, wedding themselves, immaculately conceiving children, and the like."
Perhaps the most horrifying thing about nonconsensual sex is that, in an instant, it erases you. Your own desires, your safety and well-being, your ownership of the body that may very well have been the only thing you ever felt sure you owned — all of it becomes irrelevant, even nonexistent. You don’t need to be a helpless, innocent child to be changed by that.
These are gifted adolescent women who don’t get to be judged on their impressive talent: their bodies are already paramount to the work they want to do and it’s only going to get worse. At sixteen these students are being judged on their sexual attractiveness. Their talent is a gift, but it is not enough.
If readers discount certain topics as unworthy of their attention, if readers are going to judge a book by its cover or feel excluded from a certain kind of book because the cover is, say, pink, the failure is with the reader, not the writer. To read narrowly and shallowly is to read from a place of ignorance,