American mathematician, computer scientist, science fiction author and philosopher (born 1946)
Rudolf von Bitter Rucker (born 22 March 1946) is an American mathematician, computer scientist, science fiction author, and philosopher, and is one of the founders of the cyberpunk literary movement. The author of both fiction and non-fiction, he is most famous for the novels in the Ware Tetralogy, the first two of which (Software and Wetware) both won Philip K. Dick Awards. At present he edits the science fiction webzine Flurb.
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I think of consciousness as a point, an "eye," that moves about in a sort of mental space. All thoughts are already there in this multi-dimensional space, which we might as well call the Mindscape. Our bodies move about in the physical space called the Universe; our consciousnesses move about in the mental space called the Mindscape.
It was odd, odd, odd to see people die. The world rolled on the same as before, as heedlessly as if a person were an ant or a wildflower or a puff of wind. Nature kept on making more and more of everything, and never mind that birth is a death sentence. And now that I’d been to La Hampa, I knew that creation was even more prodigal than I’d ever imagined. There were worlds upon worlds filled with people struggling and swarming like fretful gnats, all of them doomed to vanish into dust while the cosmic dance spun on.
At first the tumbling had me totally disoriented. With each degree that I turned, the images around me would deform and change. Three given blobs might split or merge to two or five, while some other shape's angular facets would sprout interlocking crystals. It was a little like trying to make out a human body by watching a Carousel slideshow of three hundred sixty microtomed cross sections.
For whatever reason, we find it easier to "read" Hilbert Space patterns in terms of time. Yet the patterns exist outside of time. Thinking timelessly is not some unusual skill; when you remember last night's supper you sense a whole and not a chew-by-chew replay. To know a novel's action is to grasp the four-dimensional spacetime whole described.
In one of our conversations I pressed Gödel to explain what he meant by the “other relation to reality” by which he said one could directly see mathematical objects. He made the point that the same possibilities of thought are open to everyone, so that we can take the world of possible forms as objective and absolute. Possibility is observer-independent, and therefore real, because it is not subject to our will.
This brought back the sick, ashamed feeling I'd woken up with. I was no better than some geek with a foam-rubber woman's torso like they advertise in Hustler. What a pathetic, twisted version of womanhood: all the "inessential" parts lopped off, nothing left behind but tits and ass and holes. Lifelike washable plastic skin. Greek and French features. But yet, in a way, wasn't the sex sphere always what I'd wanted in a woman? An ugly truth there. "Shut up and spread!" How many times had I told Sybil that, if not in so many words?