American-Canadian singer-songwriter and composer
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'Evil Angel' is an interesting song. It's actually to do with a journalist who, uh... I was in France at the time and quite delicate... and this guy basically seduced me in Strasbourg... he gave me a tour of the town and it was very romantic, and we did actually make out in the middle of this town square... and then I went and did the show and I never heard from him again. And I just felt incredibly used. I think a lot of it has to do with, once you get into this business, you do have to become some kind of a machine. You do have to be heartless at times and be able to plough through certain situations. I don't want to totally become that person, but it's good that I'm thinking about it.
I’ve always been an old soul. I started drinking when I was very young. I got into opera when I was 13. I sought out older musicians. It’s as if I have always been trying to accelerate my life. It’s not that I found people my own age unstimulating. There was just something about always being the youngest kid in the room when I was growing up.
The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time – and then you want out of that movie.
When I first came up with the lines, I don't know what it is, but you got to do it/ I don't know where to go but you got to be there, I was at this party for The Strokes in New York. There was this prevailing sense of, 'We're not quite sure what's happening or what is cool, but we know that it's somewhere around here, in this room.' It was this vague confusion, with everybody kind of sniffing for blood. It wasn't that it was a bad party, or that I don't like The Strokes; I just think there's a lot of confusion right now in the music business. Then, later on, I realized the song was really personal. I didn't know where I was, and I didn't know I was actually lost. It wasn't about the party at all; it's about searching but not knowing what you're searching for. There's the train motif, being on this train heading for either oblivion or salvation – and just holding on for dear life. That song came down from some mountain somewhere, because it was right after I wrote it that I sort of packed it in.