"A few months and many deaths ago, I asked someone "how are you doing" and felt, in the way her eye fell, how I had failed her before I had even reached the end of my question. I've hurt many people but it's the unintended wounds I claim now as children."

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Of course I wanted to see the world, to experience its fullness. I wanted to be a real part of it, rather than the passing shadow I so often felt like. I wanted to devour the world.

I sat there ablaze, struggling to apprehend a new, darkly radiant sense of self.

If you look at the poems in Prelude, you can identify the later material by identifying the poems with more white space and unexpected line breaks. Grief did that to me and my writing. It exploded my expectations and introduced these blank pockets of deep feeling. My prose writing became more fluid and lyrical…

Alone and night-neoned, I write read drink drug grieve and all America keeps teaching me
is that there are so many ways to die in America which, frankly, is qwhite confusing
because this country killed you a decade ago and I’m still writing reading drinking
drugging grieving binging binging blacking out in the cozy, claustrophobic home
I’ve made out of how very, very much I miss you and the sky keeps throwing
down consequences and corrections and histories and nations, I mean,
come on, who can blame me for not wanting to go back outside?

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