Ah if only this voice could stop, this meaningless voice which prevents you from being nothing, just barely prevents you from being nothing and nowhere, just enough to keep alight this little yellow flame feebly darting from side to side, panting, as if straining to tear itself from its wick, it should never have been lit, or it should never have been fed, or it should have been put out, put out, it should have been let go out.

The search for the means to put an end to things, an end to speech, is what enables the discourse to continue.

You lean back against the door with bowed head making ready to set out. By the time you open your eyes your feet have disappeared and the skirt of your great coat come to rest on the surface of the snow. The dark scene seems lit from below. You see yourself at the last outset leaning against the door with closed eyes waiting for the word from you to go. To be gone.Then the snowlit scene. You lie in the dark with closed eyes and see yourself there as described making ready to strike out and away across the expanse of light. You hear again the click of the door pulled gently to and the silence before the steps can start. Next thing you are on your way across the white pasture afrolic with lambs in spring and strewn with red placantae.

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VLADIMIR: What do they say?
ESTRAGON: They talk about their lives.
VLADIMIR: To have lived is not enough for them.
ESTRAGON: They have to talk about it.

Nell: Nothing is funnier than unhappiness.
Nagg: Oh?
Nell: Yes, yes, it's the most comical thing in the world. And we laugh, we laugh, with a will, in the beginning. But it's always the same thing. Yes, it's like the funny story we have heard too often, we still find it funny, but we don't laugh any more.

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I say to myself — sometimes, Clov, you must learn to suffer better than that if you want them to weary of punishing you — one day. I say to myself — sometimes, Clov, you must be better than that if you want them to let you go — one day. But I feel too old, and too far, to form new habits. Good, it'll never end, I'll never go.

I lay down across her with my face in her breasts and my hand on her. We lay there without moving. But under us all moved, and moved us, gently, up and down, and from side to side.
(Pause. Krapp's lips move. No sound.)
Past midnight. Never knew such silence. The earth might be uninhabited.

VLADIMIR: (after a moment of bewilderment). We'll see when the time comes. (Pause.) I was saying that things have changed here since yesterday.
ESTRAGON: Everything oozes.
VLADIMIR: Look at the tree.
ESTRAGON: It's never the same pus from one second to the next.
VLADIMIR: The tree, look at the tree. Estragon looks at the tree.
ESTRAGON: Was it not there yesterday?
VLADIMIR: Yes of course it was there. Do you not remember? We nearly hanged ourselves from it. But you wouldn't. Do you not remember?
ESTRAGON: You dreamt it.
VLADIMIR: Is it possible you've forgotten already?
ESTRAGON: That's the way I am. Either I forget immediately or I never forget.