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Consider: the darkening ease, the brightening trouble; the pleasure pleasure because it was, the pain pain because it shall be; the glad acts grown proud, the proud acts growing stubborn; the panting and trembling towards a being gone, a being to come; and the true true no longer, and the false true not yet. And to decide not to smile after all, sitting in the shade, hearing the cicadas, wishing it were night, wishing it were morning, saying, No, it is not the heart, no, it is not the liver, no, it is not the prostate, no, it is not the ovaries, no, it is muscular, it is nervous.

But he had hardly felt the absurdity of those things, on the one hand, and the necessity of those others, on the other (for it is rare that the feeling of absurdity is not followed by the feeling of necessity), when he felt the absurdity of those things of which he had just felt the necessity (for it is rare that the feeling of necessity is not followed by the feeling of absurdity).

For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.

To whom, Watt wondered, was this arrangement due? To Mr. Knott himself? Or to some other person, to a past domestic perhaps of genius for example, or a professional dietician? And if not to Mr. Knott himself but to some other person, (or of course persons), did Mr. Knott know that such an arrangement existed, or did he not? [...] Twelve possibilities occurred to Watt, in this connexion: 1. Mr. Knott was responsible for the arrangement, and knew that he was responsible for the arrangement, and knew that such an arrangement existed, and was content.
2. Mr. Knott was not responsible for the arrangement, but knew who was responsible for the arrangement, and knew that such an arrangement existed, and was content.
3. Mr. Knott was responsible for the arrangement, and knew that he was responsible for the arrangement, but did not know that any such arrangement existed, and was content.
4. Mr. Knott was not responsible for the arrangement, but knew who was responsible for the arrangement, but did not know that such an arrangement existed, and was content.
5. Mr. Knott was responsible for the arrangement, but did not know who was responsible for the arrangement, nor that any such arrangement existed, and was content.
6. Mr. Knott was not responsible for the arrangement, nor knew who was responsible for the arrangement, nor knew that any such arrangement existed, and was content.
7. Mr. Knott was responsible for the arrangement, but did not know who was responsible for the arrangement, and knew that such an arrangement existed, and was content.
8. Mr. Knott was not responsible for the arrangement, nor knew who was responsible for the arrangement, and knew that such an arrangement existed, and was content.
9. Mr. Knott was responsible for the arrangement, but knew who was responsible for the arrangement, and knew that such an arrangement existed, and was content.
10. Mr. Knott was not responsible for the arrangement, but knew that he was responsible for the arrangement, and knew that such an arrangement existed, and was content.
11. Mr. Knott was responsible for the arrangement, but knew who was responsible for the arrangement, but did not know that any such arrangement existed, and was content.
12. Mr. Knott was not responsible for the arrangement, but knew that he was responsible for the arrangement, but did not know that such an arrangement existed, and was content. Other possibilities occurred to Watt, in this connexion, but he put them aside, and quite out of his mind, as unworthy of serious consideration, for the time being.

The long blue days, for his head, for his side, and the little paths for his feet, and all the brightness to touch and gather. Through the grass the little mosspaths, bony with old roots, and the trees sticking up, and the flowers sticking up, and the fruit hanging down, and the white exhausted butterflies, and the birds never the same darting all day long into hiding. And all the sounds, meaning nothing. Then at night rest in the quiet house, there are no roads, no streets any more, you lie down by a window opening on refuge, the little sounds come that demand nothing, ordain nothing, explain nothing, propound nothing, and the short necessary night is soon ended, and the sky blue again all over the secret places where nobody ever comes, the secret places never the same, but always simple and indifferent, always mere places, sites of a stirring beyond coming and going, of a being so light and free that it is as the being of nothing.