"... Our language, tiger, our language: hundreds of thousands of available words, frillions of legitimate new ideas... And yet, oh, and yet, we, all of us, spend all our days saying to each other the same things time after weary time: "I love you," "Don't go in there," "Get out," "You have no right to say that," "Stop it," "Why should I," "That hurt," "Help," "Marjorie is dead.

First love is unrequited ultimately because it’s so huge.It’s such an act of giving and it requires so much back that it can never be given back. It’s like an atom bomb. It’s like… It’s all the energy of who you are and who you want to be and what you love and what you hope to be explodes. It is impossible for a single... human being to offer that back to you in a mutual way.

The powers of the placebo are so strong that it may be morally wrong to call homeopathy a lie because the moment you say it then a placebo falls to pieces and loses its power. I am a great believer in double-blind random testing, which is the basis of all drug testing. People still insist on things like holistic healing and things that have no real basis in evidence because they want it to be true—it’s as simple as that. If you’re dying of cancer or very, very ill, then you’ll cling to a straw. I feel pretty dark thoughts about the kind of people who throw straws at drowning, dying men and women, and I’m sure most of us would agree it’s a pretty lousy thing to do. Some of these people perhaps believe in the snake oil they sell or allow themselves to believe in it. That’s why James Randi is so good, because he knows what magicians know: if you do a card trick on someone, they will report that it was unbelievable, they describe the effect the magician wanted, and they miss out all the steps in between that seemed irrelevant because the magician made them irrelevant, so they didn’t notice them. People will swear that a clairvoyant mentioned the name of their aunt from nowhere, and they will be astonished if you then play a recording that shows that thirty-two names were said before the aunt’s name, none of which had any effect on them. That’s because they wanted to hear their aunt’s name; they wanted the trick to work, so they forgot all the failures in the same way as people forget all their dreams that have no relevance to their lives, but they mark when they dream of someone they haven’t met for ages that they see the next day. I would be astounded if everyone had coincidences like that—yet people say that is somehow closed-minded of me!

Somewhere along the line the American love affair with wilderness changed from the thoughtful, sensitive isolationism of Thoreau to the bully, manly, outdoorsman bravado of Teddy Roosevelt. It is not for me, as an outsider, either to bemoan or celebrate this fact, only to observe it. Deep in the male American psyche is a love affair with the backwoods, log-cabin, camping-out life.

There is no living creature here that cannot, in its right season, be hunted or trapped. Deer, moose, bear, squirrel, partridge, beaver, otter, possum, raccoon, you name it, there's someone killing one right now. When I say hunted, I mean, of course, shot at with a high-velocity rifle. I have no particular brief for killing animals with dogs or falcons, but when I hear the word 'hunt' I think of something more than a man in a forage cap and tartan shirt armed with a powerful carbine. In America it is different. Hunting means 'man bonding with man, man bonding with son, man bonding with pickup truck, man bonding with wood cabin, man bonding with rifle, man bonding above all with plaid'.

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One of the most unattractive human traits, and so easy to fall into, is resentment at the sudden shared popularity of a previously private pleasure. Which of us hasn't been annoyed when a band, writer, artist or television series that had been a minority interest of ours has suddenly achieved mainstream popularity? When it was at a cult level we moaned at the philistinism of a world that didn't appreciate it, and now that they do appreciate it we're all resentful and dog-in-the-manger about it.

Fawcett also shared with me a passion for words and we would trawl the dictionary together and simply howl and wriggle with delight at the existence of such splendours as ‘strobile’ and ‘magniloquent’, daring and double-daring each other to use them to masters in lessons without giggling. ‘Strobile’ was a tricky one to insert naturally into conversation, since it means a kind of fir-cone, but magniloquent I did manage.

I, being I, went always that little bit too far of course. There was one master who had berated me in a lesson for some tautology or other. He, as what human being wouldn’t when confronted with a lippy verbal show-off like me, delighted in seizing on opportunities to put me down. He was not, however, an English teacher, nor was he necessarily the brightest man in the world.

‘So, Fry. “A lemon yellow colour” is precipitated in your test tube is it? I think you will find, Fry, that we all know that lemons are yellow and that yellow is a colour. Try not to use thee words where one will do. Hm?’

I smarted under this, but got my revenge a week or so later.

‘Well, Fry? It’s a simple enough question. What is titration?’

‘Well, sir…, it’s a process whereby…’

‘Come on, come on. Either you know or you don’t.’

‘Sorry sir, I am anxious to avoid pleonasm, but I think…’

‘Anxious to avoid what?’

‘Pleonasm, sir.’

‘And what do you mean by that?’

‘I’m sorry, sir. I meant that I had no wish to be sesquipedalian.’

‘What?’

‘Sesquipedalian, sir.’

‘What are you talking about?’

I allowed a note of confusion and bewilderment to enter my voice. ‘I didn’t want to be sesquipedalian, sir! You know, pleonastic.’

‘Look, if you’ve got something to say to me, say it. What is this pleonastic nonsense?’

‘It means sir, using more words in a sentence than are necessary. I was anxious to avoid being tautologous, repetitive or superfluous.’

‘Well why on earth didn’t you say so?’

‘I’m sorry, sir. I’ll remember in future, sir.’ I stood up and turned round to face the whole

I used many times to touch my own chest and feel, under its asthmatic quiver, the engine of the heart and lungs and blood and feel amazed at what I sensed was the enormity of the power I possessed. Not magical power, but real power. The power simply to go on, the power to endure, that is power enough, but I felt I had also the power to create, to add, to delight, to amaze and to transform.

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What Pandora did not know was that, when she shut the lid of the jar so hastily, she for ever imprisoned inside one last daughter of Nyx. One last little creature was left behind to beat its wings hopelessly in the jar for ever. Its name was ELPIS, Hope.

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There are all kinds of pedants around with more time to read and imitate Lynne Truss and John Humphrys than to write poems, love-letters, novels and stories it seems. They whip out their Sharpies and take away and add apostrophes from public signs, shake their heads at prepositions which end sentences and mutter at split infinitives and misspellings, but do they bubble and froth and slobber and cream with joy at language? Do they ever let the tripping of the tips of their tongues against the tops of their teeth transport them to giddy euphoric bliss? Do they ever yoke impossible words together for the sound-sex of it? Do they use language to seduce, charm, excite, please, affirm and tickle those they talk to? Do they? I doubt it. They’re too farting busy sneering at a greengrocer’s less than perfect use of the apostrophe. Well sod them to Hades. They think they’re guardians of language. They’re no more guardians of language than the Kennel Club is the guardian of dogkind.