We expect a very high standard of living. We expect food to be cheap and available. We expect energy to be cheap and available. … And we pay this group of styleless sexless people whom we call politicians a small amount of money in order to lay off our own guilt. Our own cant and hypocrisy is laid at their door. And apparently, it's they who are the hypocrites. It is they who are corrupt. It is they who refuse to solve the problems of the world. Well, it isn't. It's us. It's me, and it's you. ... Suppose you're prime minister, you've got all these illegal immigrants. What are you supposed to do? Are you supposed to hide the true facts? That's hardly something the public would accept, so you campaign and you say "we don't know how many there are - let's do something about it", and then you're accused of incompetence. Well, of course you don't know how many there are: they're illegal immigrants. Do we expect magic from our politicians? We're not going to get it. They're just human beings like you and me. ... As someone who worked hard for a Labour victory in the 90s, do I regret it? Not really. It was bound to happen. And it'll happen with the next government, and the one after it. Because all governments serve us. They serve the filth.
British comedian, actor, writer, presenter, and activist
Sir Stephen John Fry (born 24 August 1957) is an English actor, broadcaster, comedian, director, narrator and writer. He first came to prominence as one half of the comic double act Fry and Laurie, alongside Hugh Laurie, with the two starring in A Bit of Fry & Laurie (1989–1995) and Jeeves and Wooster (1990–1993). He also starred in the sketch series Alfresco (1983–1984) alongside Laurie, Emma Thompson, and Robbie Coltrane and in Blackadder (1986–1989) alongside Rowan Atkinson. Since 2011 he has served as president of the mental health charity Mind. In 2025, he was knighted for services to mental health awareness, the environment and charity.
Fry's film acting roles include playing his idol Oscar Wilde in the film Wilde (1997), for which he was nominated for the Golden Globe Award for Best Actor; Inspector Thompson in Robert Altman's murder mystery Gosford Park (2001); and Mr. Johnson in Whit Stillman's Love & Friendship (2016). He has also had roles in the films Chariots of Fire (1981), A Fish Called Wanda (1988), The Life and Death of Peter Sellers (2004), V for Vendetta (2005), and Sherlock Holmes: A Game of Shadows (2011). He portrays the Cheshire Cat in Alice in Wonderland (2010) and its 2016 sequel, and the Master of Lake-town in the film series adaptation of The Hobbit. Between 2001 and 2017, he hosted the British Academy Film Awards 12 times.
Fry's television roles include Lord Melchett in the BBC television comedy series Blackadder, the title character in the television series Kingdom, as well as recurring guest roles as Dr. Gordon Wyatt on the American crime series Bones and Arthur Garrison MP on the Channel 4 period drama It's a Sin. He has also written and presented several documentary series, including the Emmy Award-winning Stephen Fry: The Secret Life of the Manic Depressive, which saw him explore his bipolar disorder, and the travel series Stephen Fry in America. He was the longtime host of the BBC television quiz show QI, with his tenure lasting from 2003 to 2016, during which he was nominated for six British Academy Television Awards. He appears frequently on other panel games, such as the radio programmes Just a Minute and I'm Sorry I Haven't a Clue. In 2006, the British public ranked Fry number 9 in ITV's poll of TV's 50 Greatest Stars.
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On the subject of biblical texts and examples to why you can't do certain things with your body that you wish to, I find that absolutely absurd. I've always been extremely uncomfortable with the idea in any society that the belief is based on revealed truth, that's to say on a text like a Bible or a Qur'an, or whatever it is. It seems to me that the greatness of our culture, for all its incredible faults, is that we have grown up on the Greek ideal of discovering the truth, discovering by looking around us, by empirical experiment, by the combination of the experience of generations of ancestors who have contributed to our sum knowledge of the way the world works, and so on. And to have that snatched away and to be told what to think by a book, however great it may be in places, this is a book that says you can sell your daughter into slavery, it's a book that bans menstruating women from within miles of temples. The fact that it also says that for one man to lie with another man is an abomination, is no more made relevant or important than the fact that you can't eat shellfish.
Well, my interpretation is no more valid than anyone else’s, but I would say in terms of medicine, people want to take control of their own lives, and ironically they seem to think that they are taking control of their lives more by using so-called complementary or alternative medicines than by using orthodox medicine. In other words, they think it’s a statement of originality and individuality. To you and me it seems self-evidently ridiculous, this homeopathic medicine. It is so preposterous, and yet some people I know and respect insist on believing it.
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The powers of the placebo are so strong that it may be morally wrong to call homeopathy a lie because the moment you say it then a placebo falls to pieces and loses its power. I am a great believer in double-blind random testing, which is the basis of all drug testing. People still insist on things like holistic healing and things that have no real basis in evidence because they want it to be true—it’s as simple as that. If you’re dying of cancer or very, very ill, then you’ll cling to a straw. I feel pretty dark thoughts about the kind of people who throw straws at drowning, dying men and women, and I’m sure most of us would agree it’s a pretty lousy thing to do. Some of these people perhaps believe in the snake oil they sell or allow themselves to believe in it. That’s why James Randi is so good, because he knows what magicians know: if you do a card trick on someone, they will report that it was unbelievable, they describe the effect the magician wanted, and they miss out all the steps in between that seemed irrelevant because the magician made them irrelevant, so they didn’t notice them. People will swear that a clairvoyant mentioned the name of their aunt from nowhere, and they will be astonished if you then play a recording that shows that thirty-two names were said before the aunt’s name, none of which had any effect on them. That’s because they wanted to hear their aunt’s name; they wanted the trick to work, so they forgot all the failures in the same way as people forget all their dreams that have no relevance to their lives, but they mark when they dream of someone they haven’t met for ages that they see the next day. I would be astounded if everyone had coincidences like that—yet people say that is somehow closed-minded of me!
The key word for me (my spleen isn't really big enough to explode with all the splenetic juices of fury that drive me when I consider this), but the real key word that triggers my rage is the word 'energy', when people start talking about it in terms of negative or positive types. For instance, "there's very negative energy in here." What are you talking about? What do you mean? I mean, let's think about it. What does energy mean? Well, we know what it means: energy from petrol when it's burned, it moves the car. "This room has positive energy" — well, where the fuck's it going then? It's not moving. It's covering up such woolly thinking, such pathetic nonsense. And astrology: most people will say of astrology, "Well, it's harmless fun." And I should say that for 80% of the cases it probably is harmless fun, but there's a strong way in which it isn't harmless. One, because it is so anti-science. You will hear things like, "Science doesn't know everything." Well, of course science doesn't know everything. But because science doesn't know everything, that doesn't mean science knows nothing. Science knows enough for us to be watched by a few million people now on television, for these lights to be working, for quite extraordinary miracles to have taken place in terms of the harnessing of the physical world and our dim approaches towards understanding it. And as Wittgenstein quite rightly said, "When we understand every single secret of the universe, there will still be left the eternal mystery of the human heart."
[On libraries] What's great about them is that anybody can go into them and find a book and borrow it free of charge and read it. They don't have to steal it from a bookshop... You know when you're young, you're growing up, they're almost sexually exciting places because books are powerhouses of knowledge, and therefore they're kind of slightly dark and dangerous. You see books that kind of make you go 'Oh!'
Didn't Woody Allen say that all literature was a footnote to Faust? Perhaps all adolescence is a dialogue between Faust and Christ. We tremble on the brink of selling that part of ourselves that is real, unique, angry, defiant and whole for the rewards of attainment, achievement, success and the golden prizes of integration and acceptance; but we also in our great creating imagination, rehearse the sacrifice we will make: the pain and terror we will take from others' shoulders; our penetration into the lives and souls of our fellows; our submission to willingness to be rejected and despised for the sake of truth and love and, in the wilderness, our angry rebuttals of the hypocrisy, deception and compromise of a world which we see to be so false. There is nothing so self-righteous nor so right as an adolescent imagination.
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When I had first caught sight of Matthew I saw the beauty in everything. Now I saw only ugliness and decay. All beauty was in the past. Again and again I wrote in poems, in notes, on scraps of paper. My whole life stretched out gloriously behind me. If I wrote that sick phrase once, I wrote it fifty times. And I believed it, too.