Canadian fantasy author
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Love had no limbs at all. It could neither run nor grasp, couldn’t even push away though it tried and tried. Left lying on the ground, unable to move, crying like an abandoned baby – people could steal it; people could kick it until it bled, or nudge it down a hillside or over a cliff. They could smother it, drown it, set it on fire until it was ashes and charred bone. They could teach it how to want and want for ever, no matter how much it was fed. And sometimes, all love was, was something to be dragged behind on a chain, growing heavier with each step, and when the ground opened up under it, why, it pulled a person backwards and down, down to a place where the pain never ended.
History meant nothing, because the only continuity was human stupidity. Oh, there were moments of greatness, of bright deeds, but how long did the light of such glory last? From one breath to the next, aye, and no more than that. No more than that. As for the rest, kick through the bones and wreckage for they are what remain, what lasts until all turn to dust.
He is strong enough to stand exposed, revealing all that is vulnerable within him. He is brave enough to invite you ever closer. If you hurt him, he will withdraw, as he must, and that path to him will be thereafter for ever sealed. But he begins with the gift of himself. What the other does with it defines the future of that particular relationship.
To achieve peace, destruction is delivered. To give the gift of freedom, one promises eternal imprisonment. Adjudication obviates the need for justice. This is a studied, deliberate embrace of diametric opposition. It is a belief in balance, a belief asserted with the conviction of religion. But in this case, the proof of a god’s power lies not in the cause but in the effect. Accordingly, in this world and in all others, proof is achieved by action, and therefore all action — including the act of choosing inaction — is inherently moral. No deed stands outside the moral context. At the same time, the most morally perfect act is the one taken in opposition to what has occurred before.