I look at you and I see a man because that’s what men are capable of—I don’t hunt for excuses because I don’t like to think that that’s how nasty we can get. We look at Sorry and we see reflections of ourselves. Hood take it, if we don’t like what we see.

But the world had its layers. To the simple it offered simplicity. To the wise it offered profundity. And the only measure of courage worth acknowledging was found in accepting where one stood in that scheme — in hard, unwavering honesty, no matter how humbling.

Humility. Seek it within yourself, be as sceptical of your own superiority as your intellect is sceptical of the superiority of things other than itself. Turn your critical faculties inward, with ruthless diligence, and by that you will understand the true meaning of courage. It is the kind of courage that sees you end up on your knees, but with the will to rise once more, to begin it all over again.

What is there left to understand? Choice is an illusion. Freedom is conceit. The hands that reach out to guide your every step, your every thought, come not from the gods, for they are no less deluded than we - no, my friends, those hands come to each of us... from each of us.

It was Kellanved – all of this. Him and Dancer. They used Tavore Paran from the very start. They used all of us, Hedge.’
‘That’s what gods do, aye. So you don’t like it? Fine, but listen to me. Sometimes, what they want – what they need us to do – sometimes it’s all right. I mean, it’s the right thing to do. Sometimes, it makes us better people.’
‘You really believe that?’
‘And when we’re better people, we make better gods.’
Fiddler looked away. ‘It’s hopeless, then. We can stuff a god with every virtue we got, it still won’t make us any better, will it? Because we’re not good with virtues, Hedge.’
‘Most of the time, aye, we’re not. But maybe then, at our worst, we might look up, we might see that god we made out of the best in us. Not vicious, not vengeful, not arrogant or spiteful. Not selfish, not greedy. Just clear-eyed, with no time for all our rubbish. The kind of god to give us a slap in the face for being such shits.

Our manic accumulation of wealth,’ Kuru Qan went on. ‘Our headlong progress, as if motion was purpose and purpose inherently virtuous. Our lack of compassion, which we called being realistic. The extremity of our judgements, our self-righteousness — all a flight from death, Brys. All a vast denial smothered in semantics and euphemisms. Bravery and sacrifice, pathos and failure, as if life is a contest to be won or lost. As if death is the arbiter of meaning, the moment of final judgement, and above all else judgement is a thing to be delivered, not delivered unto.

Death and dying makes us into children once again, in truth, one last time, there in our final wailing cries. More than one philosopher has claimed that we ever remain children, far beneath the indurated layers that make up the armour of adulthood.

You think too much, Pearl. It’s your most irritating flaw, and, let us be honest, given the severity and sheer volume of your flaws, that is saying something. Since this seems to be a time for advice, I suggest you stop thinking entirely.’ ‘And how might I achieve that? Follow your lead, perhaps?’ ‘I think neither too much nor too little. I am perfectly balanced — this is what you find so attractive. As a capemoth is drawn to fire.’ ‘So I am in danger of being burned up?’ ‘To a blackened, shrivelled crust.’ ‘So, you’re pushing me away for my own good. A gesture of compassion, then.’ ‘Fires neither push nor pull. They simply exist, compassionless, indifferent to the suicidal urges of flitting bugs. That is another one of your flaws, Pearl. Attributing emotion where none exists.’ ‘I could have sworn there was emotion, two nights past — ’ ‘Oh, fire burns eagerly when there’s fuel — ’ ‘And in the morning there’s naught but cold ashes.

Save your explanations, I got some questions for you first and you'd better answer them!' [slurred Hellian.]
'With what?' [Banaschar] sneered. 'Explanations?'
'No. Answers. There's a difference-'
'Really? How? What difference?'
'Explanations are what people use when they need to lie. Y'can always tell those,'cause those don't explain nothing and then they look at you like they just cleared things up when really they did the opposite and they know it and you know it and they know you know and you know they know that you know and they know you and you know them and maybe you go out for a pitcher later but who picks up the tab? That's what I want to know.'
'Right, and answers?'
'Answers is what I get when I ask questions. Answers is when you got no choice. I ask, you tell. I ask again, you tell some more. Then I break your fingers, 'cause I don't like what you're telling me, because those answers don't explain nothing!