Steven Pressfield Quotes

You think Resistance isn't real? Resistance will bury you.

To labor in the arts for any reason other than love is prostitution.

I was keenly conscious of the comrades-in-arms who had fallen with me. A bond surpassing by a hundredfold that which I had known in life bound me to them. I felt a sense of inexpressible relief and realized that I had feared, more than death, separation from them. I apprehended that excruciating war survivor's torment, the sense of isolation and self-betrayal experienced by those who had elected to cling yet to breath when their comrades had let loose their grip.

The most pernicious aspect of procrastination is that it can become a habit. We don't just put off our lives today; we put them off till our deathbed.

Never forget: This very moment, we can change our lives. There never was a moment, and never will be, when we are without the power to alter our destiny. This second we can turn the tables on Resistance.

This second, we can sit down and do our work.

The professional gives an ear to criticism, seeking to learn and grow. But she never forgets that Resistance is using criticism against her on a far more diabolical level. Resistance enlists criticism to reinforce the fifth column of fear already at work inside the artist's head, seeking to break her will and crack her dedication. The professional does not fall for this. Her resolution, before all others, remains: No matter what, I will never let Resistance beat me.

If the upper realm is, as Plato suggested, the sphere of perfect love, truth, justice, and beauty, then the artist seeks to call down the magic of this world and to create, by dint of labor and luck, the closest-to-sublime simulacra of those qualities that he or she can.

Attention Deficit Disorder, Seasonal Affect Disorder, Social Anxiety Disorder. These aren't diseases, they're marketing ploys. Doctors didn't discover them, copywriters did. Marketing departments did. Drug companies did.

The professional loves it so much he dedicates his life to it. He commits full-time. That's what I mean when I say turning pro. Resistance hates it when we turn pro.

"Writers think in metaphors. Editors work in metaphors. A great reader reads in metaphors.

All are continually asking, "What does this represent? What does it stand for?"

They are trying to take everything one level deeper. When they get to that level, they will try to go deeper again."

Don’t prepare. Begin.

Remember our rule of thumb: The more scared we are of a work or calling, the more sure we can be that we have to do it.

Monopoly money; it’s not legal tender in that sphere where we have to do our work. In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.

No matter how great a writer, artist, or entrepreneur, he is a mortal, he is fallible. He is not proof against Resistance. He will drop the ball; he will crash. That’s why they call it rewriting.

The virtues are like music. They vibrate at a higher, nobler pitch.

The paradox seems to be, as Socrates demonstrated long ago, that the truly free individual is free only to the extent of his own self-mastery. While those who will not govern themselves are condemned to find masters to govern over them.