Jordan Peterson Quotes

Here’s something to consider: If you have a friend whose friendship you wouldn’t recommend to your sister, or your father, or your son, why would you have such a friend for yourself? You might say: out of loyalty. Well, loyalty is not identical to stupidity. Loyalty must be negotiated, fairly and honestly. Friendship is a reciprocal arrangement. You are not morally obliged to support someone who is making the world a worse place. Quite the opposite. You should choose people who want things to be better, not worse. It’s a good thing, not a selfish thing, to choose people who are good for you. It’s appropriate and praiseworthy to associate with people whose lives would be improved if they saw your life improve. If you surround yourself with people who support your upward aim, they will not tolerate your cynicism and destructiveness. They will instead encourage you when you do good for yourself and others and punish you carefully when you do not. This will help bolster your resolve to do what you should do, in the most appropriate and careful manner. People who are not aiming up will do the opposite. They will offer a former smoker a cigarette and a former alcoholic a beer. They will become jealous when you succeed, or do something pristine. They will withdraw their presence or support, or actively punish you for it. They will over-ride your accomplishment with a past action, real or imaginary, of their own. Maybe they are trying to test you, to see if your resolve is real, to see if you are genuine. But mostly they are dragging you down because your new improvements cast their faults in an even dimmer light.

That same brutal principle of unequal distribution applies outside the financial domain — indeed, anywhere that creative production is required. The majority of scientific papers are published by a very small group of scientists. A tiny proportion of musicians produces almost all the recorded commercial music. Just a handful of authors sell all the books. A million and a half separately titled books (!) sell each year in the US. However, only five hundred of these sell more than a hundred thousand copies. 12 Similarly, just four classical composers (Bach, Beethoven, Mozart, and Tchaikovsky) wrote almost all the music played by modern orchestras. Bach, for his part, composed so prolifically that it would take decades of work merely to hand- copy his scores, yet only a small fraction of this prodigious output is commonly performed.

Grief must be a reflection of love. It is perhaps the ultimate proof of love. Grief is an uncontrollable manifestation of your belief that the lost person’s existence, limited and flawed as it might have been, was worthwhile, despite the limitations and flaws even of life itself.

Standards of better or worse are not illusory or unnecessary. If you hadn’t decided that what you are doing right now was better than the alternatives, you wouldn’t be doing it. The idea of a value-free choice is a contradiction in terms. Value judgments are a precondition for action. Furthermore, every activity, once chosen, comes with its own internal standards of accomplishment. If something can be done at all, it can be done better or worse.

It is far better to render Beings in your car competent than to protect them

you should not overlook the guidelines of your culture. Life is short, and you don’t have time to figure everything out on your own. The wisdom of the past was hard-earned, and your dead ancestors may have something useful to tell you).

When you have something to say, silence is a lie.

[About what Canadians may think about him being ordered, in 2023, to undergo social media communication coaching:] Either someone like me is wrong, or all of the institutions in Canada have become dangerously corrupt. Well, who the hell is going to believe the second one?

Cooperation is for safety, security and companionship. Competition is for personal growth and status.

The motivation that drives the commission of the worst human atrocities is an inevitable social consequence of the refusal of the self-conscious individual to make the sacrifices appropriate to establishing a harmonious life, and their consequent degeneration into a kind of murderous and resentment-filled rage propagating endlessly through its variations in society until everything comes to an end.

Behavior is imitated, then abstracted into play, formalized into drama and story, crystallized into myth and codified into religion — and only then criticized in philosophy, and provided, post-hoc, with rational underpinnings

It is Nature as Woman who says, “Well, bucko, you’re good enough for a friend, but my experience of you so far has not indicated the suitability of your genetic material for continued propagation.

When you are visited by chaos and swallowed up; when nature curses you or someone you love with illness; or when tyranny rends asunder something of value that you have built, it is salutary to know the rest of the story. All of that misfortune is only the bitter half of the tale of existence, without taking note of the heroic element of redemption or the nobility of the human spirit requiring a certain responsibility to shoulder. We ignore that addition to the story at our peril, because life is so difficult that losing sight of the heroic part of existence could cost us everything.

Ambition is often—and often purposefully—misidentified with the desire for power, and damned with faint praise, and denigrated, and punished. And ambition is sometimes exactly that wish for undue influence on others. But there is a crucial difference between sometimes and always. Authority is not mere power, and it is extremely unhelpful, even dangerous, to confuse the two. When people exert power over others, they compel them, forcefully. They apply the threat of privation or punishment so their subordinates have little choice but to act in a manner contrary to their personal needs, desires, and values. When people wield authority, by contrast, they do so because of their competence—a competence that is spontaneously recognized and appreciated by others, and generally followed willingly, with a certain relief, and with the sense that justice is being served.

An artist constantly risks falling fully into chaos, instead of transforming it.