Nothing relieves Irish despair. The Irishman's complaint lies not with his circumstance, which might be rendered brilliant by labour or luck, but with injustice of existence itself. Death! How could a benevolent Deity gift us with life, only to set such a cruel term upon it? Irish despair knows no remedy. Love fades; fame is fleeting. The only cures are booze and sentiment. That's why the Irish are such noble drunks and glorious poets. No one sings like the Irish or mourns like them. Why? Because they're angels imprisoned in vessels of flesh.

"Someone once asked Somerset Maugham if he wrote on a schedule or only when struck by inspiration. "I write only when inspiration strikes," he replied. "Fortunately it strikes every morning at nine o'clock sharp.

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When we're living as amateurs, we're running away from our calling — meaning our work, our destiny, the obligation to become our truest and highest selves.

Monopoly money; it’s not legal tender in that sphere where we have to do our work. In fact, the more energy we spend stoking up on support from colleagues and loved ones, the weaker we become and the less capable of handling our business.

The professional loves her work. She is invested in it wholeheartedly. But she does not forget that the work is not her. Her artistic self contains many works and many performances. Already the next is percolating inside her. The next will be better, and the one after that better still.

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The Soldier is a farmer. He knows how to shape the earth. He is a carpenter; he erects ramparts and palisades. A miner, he digs trenches and tunnels; a mason, he chisels a road from a sheer face of stone. The Soldier is a physician who performs surgery without anesthetic, a priest who inters the dead without psalm. He is a philosopher who plumbs the mysteries of existence, a linguist who pronounces "pussy" in a dozen tongues. He is an architect and a demolition man, a fire brigadier and an incendiary. He is a beast who dwells in the dirt, a worm, owning a mouth and an anus and aught but appetite in between.

A work-in-progress generates its own energy field. You, the artist or entrepreneur, are pouring love into the work; you are suffusing it with passion and intention and hope.

"Similarly the call to growth can be conceptualized as personal (a daimon or genius, an angel or a muse) or as impersonal, like the tides or the transiting of Venus. Either way works, as long as we're comfortable with it. Or if extra-dimensionality doesn't sit well with you in any form, think of it as "talent," programmed into our genes by evolution. The point, for the thesis I'm seeking to put forward, is that there are forces we can call our allies. As Resistance works to keep us from becoming who we were born to be, equal and opposite powers are counterpoised against it. These are our allies and angels."