"If addictions and shadow careers are metaphors, sex is the richest one of all and the most difficult to decode. Why are we obsessed with sex? Does sex represent conquest or surrender? Are we seeking the oblivion of orgasm or the transcendence of escaping the ego? Is union with another our goal, or are we seeking to dominate or humiliate our partner? Is sex about love? Are we seeking a soul-mate, a mother/father? Are we trying to reach God? "I don't see what all the fuss about sex is," said the comedian. "It's only friction." My"

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This is what I feared for Michael. That his generation, so strong, so well made, so bright and aware beyond its years, would compare itself to us in envy, envy of the clarity of our challenges and the brutish obviousness of our enemies.

The artist and the fundamentalist arise from societies at differing stages of development. The artist is the advanced model. His culture possesses affluence, stability, enough excess of resource to permit the luxury of self-examination. The artist is grounded in freedom. He is not afraid of it. He is lucky. He was born in the right place. He has a core of self- confidence, of hope for the future. He believes in progress and evolution. His faith is that humankind is advancing, however haltingly and imperfectly, toward a better world.

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We get ourselves in trouble because it's a cheap way to get attention. Trouble is a faux form of fame. It's easier to get busted in the bedroom with the faculty chairman's wife than it is to finish that dissertation on the metaphysics of motley in the novellas of Joseph Conrad.