Top 15 Suetonius Quotes

Suetonius, in holding up a mirror to those Caesars of diverting legend, reflects not only them but ourselves: half-tamed creatures, whose great moral task is to hold in balance the angel and the monster within – for we are both, and to ignore this duality is to invite disaster.

These innovations in the customs and principles of our forefathers do not please us nor seem proper.

Haec nova, quae praeter consuetudinem ac morem maiorum fiunt, neque placent neque recta videntur.

A few months before the murder [of Domitian] a raven perched on the Capitol and croaked out the words: "All will be well!" – a portent which some wag explained in the following verse:
There was a raven, strange to tell,
Perched upon Jove's own gable, whence
He tried to tell us "All is well!" – But had to use the future tense.

Ante paucos quam occideretur menses cornix in Capitolino elocuta est: εσται πάντα καλως, nec defuit qui ostentum sic interpretaretur: Nuper Tarpeio quae sedit culmine cornix, "Est bene" non potuit dicere, dixit: "Erit."

One evening at dinner, realizing that he had done nobody any favour throughout the entire day, he spoke these memorable words: "My friends, I have wasted a day."

Atque etiam recordatus quondam super cenam, quod nihil cuiquam toto die praestitisset, memorabilem illam meritoque laudatam vocem edidit: "Amici, diem perdidi."

Titus complained of the tax which Vespasian had imposed on the contents of the city urinals. Vespasian handed him a coin which had been part of the first day's proceeds: "Does it smell bad?" he asked. And when Titus said "No" he went on: "Yet it comes from urine."

Reprehendenti filio Tito, quod etiam urinae vectigal commentus esset, pecuniam ex prima pensione admovit ad nares, sciscitans num odore offenderetur; et illo negante: "Atqui," inquit, "e lotio est."

Expugnatus autem a quadam, quasi amore suo deperiret, cum perductae pro concubitu sestertia quadringenta donasset, admonente dispensatore, quem ad modum summam rationibus vellet inferri, "Vespasiano," inquit, "adamato".

Qualis artifex pereo!

Nero watched the conflagration from the Tower of Maecenas, enraptured by what he called "the beauty of the flames"; then put on his tragedian's costume and sang The Sack of Ilium from beginning to end.

Hoc incendium e turre Maecenatiana prospectans laetusque "flammae," ut aiebat, "pulchritudine" Halosin Ilii in illo suo scaenico habitu decantavit.

His wastefulness showed most of all in the architectural projects. He built a palace, stretching from the Palatine to the Esquiline, which he called…"The Golden House". The following details will give some notion of its size and magnificence. The entrance-hall was large enough to contain a huge statue of himself, 120 feet high…Parts of the house were overlaid with gold and studded with precious stones and mother-of pearl. All the dining-rooms had ceilings of fretted ivory, the panels of which could slide back and let a rain of flowers, or of perfume from hidden sprinklers, shower upon his guests. The main dining-room was circular, and its roof revolved, day and night, in time with the sky. Sea water, or sulphur water, was always on tap in the baths. When the palace had been decorated throughout in this lavish style, Nero dedicated it, and condescended to remark: "Good, now I can at last begin to live like a human being!"

Non in alia re tamen damnosior quam in aedificando domum a Palatio Esquilias usque fecit, quam…Auream nominavit. De cuius spatio atque cultu suffecerit haec rettulisse. Vestibulum eius fuit, in quo colossus CXX pedum staret ipsius effigie…In ceteris partibus cuncta auro lita, distincta gemmis unionumque conchis erant; cenationes laqueatae tabulis eburneis versatilibus, ut flores, fistulatis, ut unguenta desuper spargerentur; praecipua cenationum rotunda, quae perpetuo diebus ac noctibus vice mundi circumageretur; balineae marinis et albulis fluentes aquis. Eius modi domum cum absolutam dedicaret, hactenus comprobavit, ut se diceret quasi hominem tandem habitare coepisse.