A representative conversation with Dr. Wick: “Good morning. It has been decided that you were compulsively promiscuous. Would you like to tell me about that?” “No.” This is the best of several bad responses, I’ve decided. “For instance, the attachment to your high school English teacher.” Dr. Wick always uses words like attachment. “Uh?” “Would you like to tell me about that?” “Um. Well. He drove me to New York.” That was when I realized he was interested. He brought along a wonderful vegetarian lunch for me. “But that wasn’t when it was.” “What? When what was?” “When we fucked.” (Flush.) “Go on.” “We went to the Frick. I’d never been there. There was this Vermeer, see, this amazing painting of a girl having a music lesson—I just couldn’t believe how amazing it was—” “So when did you—ah—when was it?” Doesn’t she want to hear about the Vermeer? That’s what I remember. “What?” “The—ah—attachment. How did it start?” “Oh, later, back home.” Suddenly I know what she wants. “I was at his house. We had poetry meetings at his house. And everybody had left, so we were just sitting there on the sofa alone. And he said, ‘Do you want to fuck?’ ” (Flush.) “He used that word?” “Yup.” He didn’t. He kissed me. And he’d kissed me in New York too. But why should I disappoint her? This was called therapy.
American writer
Susanna Kaysen (born 11 November 1948) is an American author.
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“The person often experiences this instability of self-image as chronic feelings of emptiness or boredom.” My chronic feelings of emptiness and boredom came from the fact that I was living a life based on my incapacities, which were numerous. A partial list follows. I could not and did not want to: ski, play tennis, or go to gym class; attend to any subject in school other than English and biology; write papers on any assigned topics (I wrote poems instead of papers for English; I got F’s); plan to go or apply to college; give any reasonable explanation for these refusals.
I've gone back to the Frick since then to look at her and at the two other Vermeers. Vermeers, after all, are hard to come by, and the one in Boston has been stolen. The other two are self-contained paintings. The people in them are looking at each other -- the lady and her maid, the soldier, and his sweetheart. Seeing them is peeking at them through a hole in a wall. And the wall is made of light -- that entirely credible yet unreal Vermeer light. Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful, we wish our clothes could glisten and ripple against our skins, most of all, we wish that everyone we knew could be brightened simply by our looking at them, as are the maid with the letter and the soldier with the hat. The girl at her music sits in another sort of light, the fitful, overcast light of life, by which we see ourselves and others only imperfectly, and seldom.
Naked, we needed protection, and the hospital protected us. Of course, the hospital had stripped us naked in the first place—but that just underscored its obligation to shelter us. And the hospital fulfilled its obligation. Somebody in our families had to pay a good deal of money for that: sixty dollars (1967 dollars) a day just for the room; therapy, drugs, and consultations were extra. Ninety days was the usual length of mental-hospital insurance coverage, but ninety days was barely enough to get started on a visit to McLean. My workup alone took ninety days. The price of several of those college educations I didn’t want was spent on my hospitalization.
Most of us saw our therapists every day. Cynthia didn’t; she had therapy twice a week and shock therapy once a week. And Lisa didn’t go to therapy. She had a therapist, but he used her hour to take a nap. If she was extremely bored, she’d demand to be taken to his office, where she’d find him snoozing in his chair. “Gotcha!” she’d say. Then she’d come back to the ward. The rest of us traipsed off day after day to exhume the past.
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The world didn’t stop because we weren’t in it anymore; far from it. Night after night tiny bodies fell to the ground on our TV screen: black people, young people, Vietnamese people, poor people—some dead, some only bashed up for the moment. There were always more of them to replace the fallen and join them the next night. Then came the period when people we knew—not knew personally, but knew of—started falling to the ground: Martin Luther King, Robert Kennedy. Was that more alarming? Lisa said it was natural. “They gotta kill them,” she explained. “Otherwise it’ll never settle down.”
They did not put much value on my capacities, which were admittedly few, but genuine. I read everything, I wrote constantly, and I had boyfriends by the barrelful. “Why don’t you do the assigned reading?” they’d ask. “Why don’t you write your papers instead of whatever you’re writing—what is that, a short story?” “Why don’t you expend as much energy on your schoolwork as you do on your boyfriends?” By my senior year I didn’t even bother with excuses, let alone explanations. “Where is your term paper?” asked my history teacher. “I didn’t write it. I have nothing to say on that topic.” “You could have picked another topic.” “I have nothing to say on any historical topic.”
People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy. Most people pass over incrementally, making a series of perforations in the membrane between here and there until an opening exists. And who can resist an opening?