American historian and author
Tara Westover (born September 1986) is an American memoirist, essayist and historian. Her memoir Educated (2018) debuted at #1 on The New York Times bestseller list and was a finalist for a number of national awards, including the LA Times Book Prize, PEN America's Jean Stein Book Award, and two awards from the National Book Critics Circle Award.
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I began to study trigonometry. There was solace in its strange formulas and equations. I was drawn to the Pythagorean theorem and its promise of a universal—the ability to predict the nature of any three points containing a right angle, anywhere, always. What I knew of physics I had learned in the junkyard, where the physical world often seemed unstable, capricious. But here was a principal through which the dimensions of life could be defined, captured. Perhaps reality was not wholly volatile. Perhaps it could be explained, predicted. Perhaps it could be made to make sense.
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Everything I had worked for, all my years of study, had been to purchase for myself this one privilege: to see and experience more truths than those given to me by my father, and to use those truths to construct my own mind. I had come to believe that the ability to evaluate many ideas, many histories, many points of view, was at the heart of what it means to self-create. If I yielded now, I would lose more than an argument. I would lose custody of my own mind. This was the price I was being asked to pay, I understood that now. What my father wanted to cast from me wasn’t a demon: it was me.
I had discerned the ways in which we had been sculpted by a tradition given to us by others, a tradition of which we were either willfully or accidentally ignorant. I had begun to understand that we had lent our voices to a discourse whose sole purpose was to dehumanize and brutalize others—because nurturing that discourse was easier, because retaining power always feels like the way forward.
By the end of the semester the world felt big, and it was hard to imagine returning to the mountain, to a kitchen, or even to a piano in the room next to the kitchen.
This caused a kind of crisis in me. My love of music, and my desire to study it, had been compatible with my idea of what a woman is. My love of history and politics and world affairs was not. And yet they called to me.