Their primary idea was the old Bengali idea of the Motherland, the idea that Bengal had given to the rest of India, Debu said: the idea that India had to be a country one could be proud of. The idea had decayed in Bengal since independence, Debu said. ‘In my class the idea is still there, but it is a remnant of the past – considered an anachronism – and in the class above, the industrialists and businessmen, the idea exists more or less as a negative quantity.

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I would say to her, in that mixed river language we used, ‘One day, Beth, somebody will snatch your case. It isn’t safe to travel about with money like that.’ ‘The day that happens, Mis’ Salim, I will know the time has come to stay home.’ It was a strange way of thinking. But she was a strange woman.

Going home at night! It wasn't often that I was on the river at night. I never liked it. I never felt in control. In the darkness of river and forest you could be sure only of what you could see — and even on a moonlight night you couldn't see much. When you made a noise — dipped a paddle in the water — you heard yourself as though you were another person. The river and the forest were like presences, and much more powerful than you. You felt unprotected, an intruder ... You felt the land taking you back to something that was familiar, something you had known at some time but had forgotten or ignored, but which was always there. You felt the land taking you back to what was there a hundred years ago, to what had been there always.

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The world is what it is; men who are nothing, who allow themselves to become nothing, have no place in it....

It wasn't only the sand drifts and the mud and the narrow, winding, broken roads up in the mountains. There was all that business at the frontier posts, all that haggling in the forest outside wooden huts that flew strange flags. I had to talk myself and my Peugeot past the men with guns — just to drive through bush and more bush. And then I had to talk even harder, and shed a few more bank notes and give away more of my tinned food, to get myself — and the Peugeot — out of the places I had talked us into.

Some of these palavers could take half a day....

I could meet dreadful people and end up seeing the world through their eyes, seeing their frailties, their needs. You refer to yourself in order to understand other people. That's the novelist's gift, isn't it?

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I knew there was something that separated me from Ferdinand and the life of the bush about me. And it was because I had no means in my day-to-day life of asserting this difference, of exhibiting my true self, that I fell into the stupidity of exhibiting my things.

[In]the too solid three-dimensional city, I could never feel myself as anything but spectral, disintegrating, pointless, fluid.