Theodore Sturgeon Quotes

Love’s a different sort of thing, hot enough to make you flow into something, interflow, cool and anneal and be a weld stronger than what you started with.

The baby regarded Mike gravely as she discoursed to it about a poor drowned woofum-wuffums, and did the bad man treat it badly, then. The baby belched eloquently.
“He belches in English!” I remarked.
“Did it have the windy ripples?” cooed Mike. “Give us a kiss, honey lamb.”
The baby immediately flung its little arms around her neck and planted a whopper on her mouth.
“Wow!” said Mike when she got her breath. “Shorty, could you take lessons!”
“Lessons my eye,” I said jealously. “Mike, that’s no baby, that’s some old guy in his second childhood.

So it was that Lone came to know himself; and like the handful of people who have done so before him he found, at this pinnacle, the rugged foot of a mountain.

Why must we love where the lightning strikes, and not where we choose?

I repeat Sturgeon's Revelation, which was wrung out of me after twenty years of wearying defense of science fiction against attacks of people who used the worst examples of the field for ammunition, and whose conclusion was that ninety percent of it is crud. The Revelation: Ninety percent of everything is crud. Corollary 1: The existence of immense quantities of trash in science fiction is admitted and it is regrettable; but it is no more unnatural than the existence of trash anywhere. Corollary 2: The best science fiction is as good as the best fiction in any field.

Reality isn’t the most pleasant of atmospheres, Lieutenant. But we like to think we’re engineered for it. It’s a pretty fine piece of engineering, the kind an engineer can respect. Drag in an obsession and reality can’t tolerate it. Something has to give; if reality goes, your fine piece of engineering is left with nothing to operate on. Nothing it was designed to operate on. So it operates badly. So kick the obsession out; start functioning the way you were designed to function.

That’s fairly common. We don’t believe anything we don’t want to believe.

Be a man. Not any old man, not mankind, but manhood. To do this you don’t need to play pro football and grow hair on your chest and seduce every third woman you meet long as she’s female. All you have to do is hunt, fish (or talk sense about ’em as if you had) and go bug-eyed when the girls go by. If a sunset moves you so much you have to express yourself, do it with a grunt and a dirty word. Or you say, ‘That Beethoven, he blows a cool symphony.’ Never champion a real underdog unless it’s a popular type, like a baseball team. Always treat other men as if you were sore at something and will wipe it off on them if they give you the slightest excuse. I mean sore, Louis, not vexed or in a snit. And stay away from women. They have an intuition that’ll find you nine times out of ten. The tenth time she falls for you, and there’s nothing funnier.”
“I think,” Loolyo said after a time, “that you hate human beings.

I found out the differences between “the truth” and “all the truth.” You can know some pretty terrible things about a person, and you can know they’re true. But sometimes it makes a huge difference if you know what else is true too. I read something in a book once about an old lady who was walking along the street minding her own business when a young guy came charging along, knocked her down, rolled her in a mud puddle, slapped her head and smeared handsful of wet mud all over her hair. Now what should you do with a guy like that?
But then if you find out that someone had got careless with a drum of gasoline and it ignited and the old lady was splashed with it, and the guy had presence of mind enough to do what he did as fast as he did, and severely burned his hands in the doing of it, then what should you do with him?
Yet everything reported about him is true. The only difference is the amount of truth you tell.

Science fiction, outside of poetry, is the only literary field which has no limits, no parameters whatsoever.

“Now how can you like a man without wanting him?” she demands of herself aloud.
There is no answer. It is an article of faith with her. If you like a man, it has to be because you want him. Whoever heard of it any other way?

There was such a rush about me: wing, and tangled spray, and colors upon colors and shades of colors that were not colors at all but shifts of white and silver. If light like that were sound, it would sound like the sea on sand, and if my ears were eyes, they would see such a light.

I crouched there, gasping in the swirl of it, and a flood struck me, shallow and swift, turning up and outward like flower petals where it touched my knees, then soaking me to the waist in its bubble and crash. I pressed my knuckles to my eyes so they would open again. The sea on my lips with the taste of tears and the whole white night shouted and wept aloud.

Wrong as a squirrel with feathers, or a wolf with wooden teeth; not injustice, not unfairness — just a wrongness that, under the sky, could not exist.

A pig among people is a pig, he tells himself, but a pig among pigs is people.

"I went back every evening, after work, for nearly a year. I learned the meaning of the cud of a leaf and the glisten of wet pebbles, and the special significance of curves and angles. A great deal of the writing was unwritten. Plot three dots on a graph and join them; you now have a curve with certain characteristics. Extend that curve while maintaining the characteristics, and it has meaning, up where no dots were plotted.

In just this way I learned to extend the curve of a grass-blade and of a protruding root, of the bent edges of wetness on a drying headstone. I quit smoking so I could sharpen my sense of smell, because the scent of earth after a rain has a clarifying effect on graveyard reading, as if the page were made whiter and the ink darker. I began to listen to the wind, and to the voices of birds and small animals, insects and people; because to the educated ear, every sound is filtered through the story written on graves, and becomes a part of it.

("The Graveyard Reader")"