How happy is the lot of the mathematician! He is judged solely by his peers, and the standard is so high that no colleague or rival can ever win a reputation he does not deserve. No cashier writes a letter to the press complaining about the incomprehensibility of Modern Mathematics and comparing it unfavorably with the good old days when mathematicians were content to paper irregularly shaped rooms and fill bathtubs without closing the waste pipe.
British-American poet (1907–1973)
Wystan Hugh Auden (21 February 1907 – 29 September 1973) was an Anglo-American poet known for his vast poetic work in many forms on many themes.
From: Wikiquote (CC BY-SA 4.0)
Native Name:
Wystan Hugh Auden
Alternative Names:
Wystan Auden
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Wystan H Auden
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W. H. Wystan Hugh Auden
From Wikidata (CC0)
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Lovers of small numbers go benignly potty,
Believe all tales are thirteen chapters long,
Have animal doubles, carry pentagrams,
Are Millerites, Baconians, Flat-Earth-Men.
Lovers of big numbers go horribly mad,
would have the Swiss abolished, all of us
Well-purged, somatotyped, baptised, taught baseball:
They empty bars, spoil parties, run for Congress.
In accepting and defending the social institution of slavery, the Greeks were harder-hearted than we but clearer-headed; they knew that labor as such is slavery, and that no man can feel a personal pride in being a laborer. A man can be proud of being a worker – someone, that is, who fabricates enduring objects, but in our society, the process of fabrication has been so rationalized in the interests of speed, economy and quantity that the part played by the individual factory employee has become too small for it to be meaningful to him as work, and practically all workers have been reduced to laborers. It is only natural, therefore, that the arts which cannot be rationalized in this way – the artist still remains personally responsible for what he makes – should fascinate those who, because they have no marked talent, are afraid, with good reason, that all they have to look forward to is a lifetime of meaningless labor. This fascination is not due to the nature of art itself, but to the way in which an artists works; he, and in our age, almost nobody else, is his own master. The idea of being one’s own master appeals to most human beings, and this is apt to lead to the fantastic hope that the capacity for artistic creation is universal, something nearly all human beings, by virtue, not by some special talent, but due to their humanity, could do if they tried.
In societies with fewer opportunities for amusement, it was also easier to tell a mere wish from a real desire. If, in order to hear some music, a man has to wait for six months and then walk twenty miles, it is easy to tell whether the words, "I should like to hear some music," mean what they appear to mean, or merely, "At this moment I should like to forget myself." When all he has to do is press a switch, it is more difficult. He may easily come to believe that wishes can come true.