Waheeda Rehman Quotes

Today that rarely happens. Most often the songs are used as a relief. They have nothing to do with the film per say. And all look almost the same. Just replace the central characters and a step here and there...choreography remains the same in most cases. So does the beat. We have so many classical dances and folk dances in the country but nobody seems to be using them.

Yes, my acting was not stylised. I always underplayed, maybe because I never learnt acting. I thought the best way is to feel it and do it. And when you feel it, the emotions come out naturally. Gulabo (Pyaasa) was liked by people and I started getting different roles. If I liked a story my attitude used to be: this is the scene, this is the character and I have to do it. I never thought about the repercussions of doing a character.

Take risks and don't fear failure

In those days the heroes and heroines had to play characters, which were essentially good. Now there is no such compulsion. And it is a good thing. I like the choices Vidya Balan has made. People say mine was the golden age of cinema. I think we are on the threshold of another golden period.

The shelf-life of a heroine is very limited. But I feel that a true artiste should never retire. Even now, I can't say no to a role that excites me. But I don't see films as my career any longer. I do it for the fun and satisfaction.

Music earlier used to be an integral part of the film. The background score and the songs were as important, to take the story forward as were the screenplay and dialogues.

Arre bhai...there is so much more to Indian music than those beats. I have done bhangra...nothing against it. But why do we present only that to the Indian and global audience. Punjabi language and music has become the language of the film industry unfortunately. Be it Singh is King or London Dreams or New York Beats are the same. agreed you cannot use classical or folk music in New York or Singh is King but London Dreams — it's supposed to be a musical. Music should have been the soul of it. But that is the weakest thing in the film. So much could have been done — classical music and folk music could have been used. But they didn't. They want to finish of work ASAP. Quantity, not quality has taken over.

Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa...the beauty will be lost.

I definitely think this is the best time to be in the industry. Earlier, films were made on a set pattern- love story, family drama, one is rich and other is poor type formulas. But today there are different kinds of films being made and accepted by the audience. I wish I was there in the industry today...I wish I was born in today's time.

I've made a few films and by the grace of God, you've liked them.

The director's word used to be final. Today directors don't even come on sets for a dance sequence. Its canned by the choreographer.

What matters most in life is good health and a good night's sleep."

It was important to have compassion, [which, she added, came ]] partly from acknowledging we are one.

A good artiste should be able to portray any kind of role. Guide is closest to my heart because Rosie was a very mature character. She is married to Marco and yet decides to go in for a live-in relationship with Raju. Many producers saw it as a negative role, a wrong step at that stage of my career and advised me not to do it, but to me a role was a role. But sometimes personalities do come in the way.

Cinema is a product of society. You look around you, the way women dress up for parties is no longer the same.