The city sleeps and the country sleeps,
The living sleep for their time, the dead sleep for their time,
The old husband sleeps by his wife and the young husband
sleeps by his wife;
And these tend inward to me, and I tend outward to them,
And such as it is to be of these more or less I am,
And of these one and all I weave the song of myself.
American poet, essayist and journalist (1819–1892)
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What is this you bring my America?
Is it uniform with my country?
Is it not something that has been better told or done before?
Have you not imported this or the spirit of it in some ship?
Is it not a mere tale? a rhyme? a prettiness? — is the good old
cause in it?
Has it not dangled long at the heels of the poets, politicians,
literats, of enemies' lands?
Does it not assume that what is notoriously gone is still here?
Does it answer universal needs? will it improve manners?
Does it sound with trumpet-voice the proud victory of the Union
in that secession war?
Can your performance face the open fields and the seaside?
Will it absorb into me as I absorb food, air, to appear again in my
strength, gait, face?
Have real employments contributed to it? original makers, not
mere amanuenses?
Does it meet modern discoveries, calibres, facts, face to face?
What does it mean to American persons, progresses, cities? Chi-
cago, Kanada, Arkansas?
Does it see behind the apparent custodians the real custodians
standing, menacing, silent, the mechanics, Manhattanese,
Western men, Southerners, significant alike in their apathy,
and in the promptness of their love?
Does it see what finally befalls, and has always finally befallen, each
temporizer, patcher, outsider, partialist, alarmist, infidel,
who has ever ask'd any thing of America?
What shall I give? and which are my miracles?
2. Realism is mine — my miracles — Take freely,
Take without end — I offer them to you wherever your feet can carry you or your eyes reach.
3. Why! who makes much of a miracle?
As to me, I know of nothing else but miracles,
Whether I walk the streets of Manhattan,
Or dart my sight over the roofs of houses toward the sky,
Or wade with naked feet along the beach, just in the edge of the water,
Or stand under trees in the woods,
Or talk by day with any one I love — or sleep in the bed at night with any
one I love,
Or sit at the table at dinner with my mother,
Or look at strangers opposite me riding in the car,
Or watch honey-bees busy around the hive, of a summer forenoon,
Or animals feeding in the fields,
Or birds — or the wonderfulness of insects in the air,
Or the wonderfulness of the sundown — or of stars shining so quiet and bright,
Or the exquisite, delicate, thin curve of the new moon in spring;
Or whether I go among those I like best, and that like me best — mechanics, boatmen, farmers,
Or among the savans — or to the _soiree_ — or to the opera.
Or stand a long while looking at the movements of machinery,
Or behold children at their sports,
Or the admirable sight of the perfect old man, or the perfect old woman,
Or the sick in hospitals, or the dead carried to burial,
Or my own eyes and figure in the glass;
These, with the rest, one and all, are to me miracles,
The whole referring — yet each distinct and in its place.
4. To me, every hour of the light and dark is a miracle,
Every inch of space is a miracle,
Every square yard of the surface of the earth is spread with the same,
Every cubic foot of the interior swarms with the same;
Every spear of grass — the frames, limbs, organs, of men and women, and all that concerns them,
All these to me are unspeakably perfect miracles.
To me the sea is a continual miracle;
The fishes that swim — the rocks — the motion of the waves — the ships, with men in them,
What stranger
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Trippers and askers surround me,
People I meet.... the effect upon me of my early life.....
of the ward and city I live in....of the nation,
The latest news....discoveries, inventions, societies....
authors old and new,
My dinner, dress, associates, looks, business, compliments,
dues,
The real or fancified indifference of some man or woman
I love,
The sickness of one of my folks- or of myself....or
ill-doing....or loss or lack of money....or
depressions or exaltations,
They come to me days and nights and go from me again,
But they are not the Me myself.
Books are to be call’d for, and supplied, on the assumption that the process of reading is nor a half-sleep, but, in highest sense, an exercise, a gymnast’s struggle; that the reader is to do something for himself, must be on the alert, must himself or herself construct indeed the poem, argument, history, metaphysical essay — the text furnishing the hints, the clue, the start or frame-work. Not the book needs so much to be the complete thing, but the reader of the book does. That were to make a nation of supple and athletic minds well-train’d, intuitive, used to depend on themselves, not on a few coteries of writers.
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