Your film is like your children. You might want a child with certain qualities, but you are never going to get the exact specification right. The film has a privilege to live its own life and develop its own character. To suppress this is dangerous. It is an approach that works the other way too: sometimes the footage has amazing qualities that you did not expect.
German film director, producer, screenwriter, actor and opera director (born 1942)
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Not far from Ten House, a footbridge has been thrown across the swamp. There Kozuka encounters a piece of chewing gum stuck to the underside of one of the bamboo poles used as bridge rails. The chewing gum is used. The question is: Has a local stuck the piece of gum there, or was it a GI? Onoda and his men know that Filipino villagers don't chew gum-that would be highly improbable. But they have observed that this vice is common among American soldiers. So are there American soldiers still stationed on Lubang? How long has the piece of gum been there? Days? Months? How does gum behave when exposed to tropical conditions? On closer inspection, and with a little imagination, it is possible to see the imprint of a molar, and beside it that of another tooth, slightly deformed. Everything suggests a wisdom tooth, but do Americans have wisdom teeth? Are they at all like other men? Are their voices not louder than those of the normal run of human beings? And is it perhaps conceivable that the gum was deliberately placed there, to mislead the guerrilla fighters? What to do? Akatsu is inclined to try chewing it to gain a sense of what this gum is like. What does it feel like, to be chewing gum? What do Americans feel — if, that is, they are even capable of feeling? Onoda orders the gum to be left exactly where they found it.
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¿Cómo hablar con un humano
Of course, we are challenging nature itself...
and it hits back.
It just hits back. That's all.
And that's grandiose about it.
And we have to- to accept that
it is much stronger than we are.
Kinski always says it's full of...
erotic elements.
I don't see it so much erotic.
I see it more full of obscenity.
It's just-
Nature here is vile and base.
I wouldn't see anything erotical here.
I would see fornication
and asphyxiation...
and choking
and fighting for survival...
and growing and...
just rotting away.
Of course, there's a lot of misery.
But it is the same misery
that is all around us.
The trees here are in misery,
and the birds are in misery.
I don't think they- they sing.
They just screech in pain.
It's an unfinished country.
It's still prehistorical.
The only thing that is lacking is-
is the dinosaurs here.
It's like a curse
weighing on an entire landscape.
And whoever...
goes too deep into this...
has his share of that curse.
So we are cursed
with what we are doing here.
It's a land that God,
if he exists...
has-has created in anger.
It's the only land where-
where creation is unfinished yet.
Taking a close look at -
at what's around us...
there - there is
some sort of a harmony.
It is the harmony of...
overwhelming and collective murder.
And we in comparison to
the articulate vileness...
and baseness and obscenity...
of all this jungle -
Uh, we in comparison to that
enormous articulation -
we only sound and look like...
badly pronounced
and half-finished sentences...
out of a stupid suburban... novel -
a cheap novel.
And we have to become humble...
in front of this...
overwhelming misery and...
overwhelming fornication...
overwhelming growth...
and overwhelming lack of order.
Even the- the stars up here
in the-in the sky look like a mess.
There is no harmony in the universe.
We have to get acquainted to this idea that...
there is no real harmony
as we have conceived it.
But when I say this, I say this all
full of admiration for the jungle.
It is n
It's hard to explain the point of dead languages to people today. Latin, in a pinch, but only for lawyers, theologians, and historians. In purely practical terms, these languages are useless. But their study gave us a profounder understanding of the origins of Western culture, of literature, of philosophy, of the deepest currents of our understanding of the world we live in.