Werner Herzog Quotes

Truth does not necessarily have to agree with facts. Otherwise, the Manhattan phone book would be The Book of Books. Four million entries, all factually correct, all subject to confirmation. But that doesn't tell us anything about one of the dozens of James Millers in there. His number and address are indeed correct. But why does he cry into his pillow every night? It takes poetry; it takes the poetic imagination to make visible a deeper layer of truth.

Let me speak of Son of Sam. He has been called a mad dog. He is not a mad dog ‐- he is a mad human being, perhaps only a step removed from the rest of us. One has to acknowledge him as a human being and to respect his dignity even in his madness. Otherwise, there is the danger that people may start to kill each other like mad dogs.

Most details are factually correct; some are not. What was important to the author was something other than accuracy, some essence he thought he glimpsed when he encountered the protagonist of this story.

Friendship is possible with mice.

The two men see pornographic pictures. Strangely coiled naked bodies, performing unchaste acts in groups, in hopeless configurations.

What's really bad is that after acknowledging a wrong decision, I don't have the nerve to turn back, since I'd rather correct myself with another wrong decision.

Ein jüngerer, intelligent aussehender Mann mit langem Haar fragte mich, ob Filmen, bzw. Gefilmtwerden, Schaden anrichten könne, ob es eine Person vernichten könne. In meinem Herzen war die Antwort ja, aber ich sagte nein.

My heroes have a lot in common. Fabius Maximus, who is mocked to this day as a cunctator, or delayer, but who saved Rome from Hannibal's Carthaginian army; Hercules Seghers, a painter of the early Rembrandt era who was barely noticed but is considered the father of modernity and made paintings of a kind that would not be seen for several centuries. Or Carlo Gesualdo, the Prince of Venosa, who composed music fully three hundred years ahead of its time — I'm thinking here principally of his sixth book of madrigals — not until Stravinsky, who went on pilgrimages to Gesualdo's castle, did we hear such sounds again. Also included is Pharaoh Akhenaton, who introduced an early form of monotheism half a millennium before Moses.

Only if this were a film would I consider it real.

In Savieres in der Dorfschule überlegte ich, nach Paris zu fahren, welchen Sinn hat das. Aber so weit gekommen zu Fuß und dann fahren? Lieber die Sinnlosigkeit, wenn es eine ist, bis zur Neige gekostet.

Today I often said 'forest' to myself.
Truth itself wanders through the forests.

I said that this must not be, not at this time, German cinema could not do without her now, we would not permit her death.
One solitary, overriding thought: get away from here. People frighten me. Our Eisner mustn't die, she will not die, I won't permit it. She is not dying now because she isn't dying. Not now, no, she is not allowed to. My steps are firm. And now the earth trembles. When I move, a buffalo moves. When I rest, a mountain reposes. She wouldn't dare! She mustn't. She won't. When I'm in Paris she will be alive. She must not die. Later, perhaps, when we allow it.

said that, in fact, I wasn't a creature of the film industry at all but just someone who at the end of the war had learned how to milk cows. Even all these years later, I start to shake when I think of the odds, but I went on to tell them that in the course of my work with actors and faces I could often sense some of the things that lay beneath. I was, for instance, usually able to recognize people who could milk cows. I turned to McCulley and said: "For instance, you, sir, I am willing to bet you know how to milk a cow." He yelped, banged his thighs, and started miming milking. Yes, indeed, McCulley had grown up on a farm in Tennessee. I don't even want to think about the bottomless embarrassment I would have found myself in had I been wrong.

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All of us are in some sort of theater that we create for ourselves.