Not far from Ten House, a footbridge has been thrown across the swamp. There Kozuka encounters a piece of chewing gum stuck to the underside of one of the bamboo poles used as bridge rails. The chewing gum is used. The question is: Has a local stuck the piece of gum there, or was it a GI? Onoda and his men know that Filipino villagers don't chew gum-that would be highly improbable. But they have observed that this vice is common among American soldiers. So are there American soldiers still stationed on Lubang? How long has the piece of gum been there? Days? Months? How does gum behave when exposed to tropical conditions? On closer inspection, and with a little imagination, it is possible to see the imprint of a molar, and beside it that of another tooth, slightly deformed. Everything suggests a wisdom tooth, but do Americans have wisdom teeth? Are they at all like other men? Are their voices not louder than those of the normal run of human beings? And is it perhaps conceivable that the gum was deliberately placed there, to mislead the guerrilla fighters? What to do? Akatsu is inclined to try chewing it to gain a sense of what this gum is like. What does it feel like, to be chewing gum? What do Americans feel — if, that is, they are even capable of feeling? Onoda orders the gum to be left exactly where they found it.
German film director, producer, screenwriter, actor and opera director (born 1942)
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But walking became more important and more explicit in connection with my grandfather Rudolf, my father's father; I had the sense of walking in his landscapes. I was closer to him than to my actual father. I think it all had to do with the way the turn-of-the-century generation had deeper historical roots than the generation of my parents, who quit the continuum of European culture when they opted for National Socialism. They descended into a vague Germano-mystical archaism and went under with it. Perhaps I am being too subjectively concentrated on my own family here. Families are strange creatures, and mine is no exception. In addition, there is the circumstance that I knew my grandfather only when he was already insane.
Camisea 7/2/81
La naturaleza ha recobrado el juicio, solo la selva sigue amenazante, inmóvil. El río, ese monstruo, fluye sin sonido. La noche cae muy rápido y, como siempre a esta hora, los últimos pájaros insultan a la tarde. Canto ronco, sonidos inquietantes y por debajo, uniforme, el chirrido de las primeras cigarras. De tanto trabajar bajo la lluvia tengo los dedos arrugados como las lavanderas. En la espalda tengo al menos cien picaduras de un insecto que se ha mantenido oculto; todo en mí se pudre de humedad. Estaría agradecido si sólo fuese una pesadilla lo que me atormenta. Sobre la mesa apareció un insecto curioso, alargado como una lanza, antediluviano, con antenas a ambos lados de la extremada y fina prolongación delantera. No he podido descubrir si tenía ojos. Cargaba un insecto muerto igual a él y ha desaparecido entre las juntas del suelo de cortezas.
A few years ago, we had a family reunion on the coast of Spain, where my brother was living at the time. At his invitation and expense, we had a wonderful evening at a fish restaurant. My brother, sitting beside me, put his arm around me as I studied the menu. Something began to smoke; I felt a light prick at my back, and suddenly I realized that with his cigarette lighter he had set my shirt on fire. I tore it off, and everyone was aghast, but the pair of us laughed loudly at the joke that didn't seem funny to anyone else. Someone lent me a T-shirt for the rest of the evening, and the little sore patch of skin on my back was cooled with a splash of prosecco.
It's hard to explain the point of dead languages to people today. Latin, in a pinch, but only for lawyers, theologians, and historians. In purely practical terms, these languages are useless. But their study gave us a profounder understanding of the origins of Western culture, of literature, of philosophy, of the deepest currents of our understanding of the world we live in.
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With the point of a knife, our mother scratched a mark in it for each day, Monday to Sunday, allowing about a slice of bread for each of us. When hunger got to be very bad, we were each given a piece from the next day's ration because my mother hoped something might turn up in the meantime, but generally the bread was finished by Friday, and Saturdays and Sundays were particularly bad. My deepest memory of my mother, burned into my brain, is a moment when my brother and I were clutching at her skirts, whimpering with hunger. With a sudden jolt, she freed herself, spun round, and she had a face full of an anger and despair that I have never seen before or since. She said, perfectly calmly: "Listen, boys, if I could cut it out of my ribs, I would cut it out of my ribs, but I can't. All right?" At that moment, we learned not to wail. The so-called culture of complaint disgusts me.
Don't look for the state of the art most expensive cameras. You should be capable today with fairly simple equipment of high caliber. You can edit on your own laptop, and you can make a film yourself for, let's say, even a feature film under $10,000. Learn from the documentary film school. Really didn't have any equipment or any money.
When Santa appeared with his sunglasses up on the balcony, I was completely convulsed by a paroxysm of laughter. A few people gave me strange looks and I retreated to the bistro. While eating my sandwich I ate one end of my scarf as well, which cracked me up so much inside that the whole table started to shake, thought outwardly my face gave no sign of laughter, however contorted it must have been. The waiter started staring at me, so I fled to the edge of the town into the camper, into the showpiece.