William Faulkner Quotes

He turned into the road at that slow and ponderous gallop, the two of them, man and beast, leaning a little stiffly forward as though in some juggernautish simulation of terrific speed though the actual speed itself was absent, as if in that cold and implacable and undeviating conviction of both omnipotence and clairvoyance of which they both partook known destination and speed were not necessary.

The train swung around the curve, the engine puffing with short, heavy blasts, and they passed smoothly from sight that way, with that quality about them of shabby and timeless patience, of static serenity: that blending of childlike and ready incompetence and paradoxical reliability that tends and protects them it loves out of all reason and robs them steadily and evades responsibility and obligations by means too barefaced to be called subterfuge even and is taken in theft or evasion with only that frank and spontaneous admiration for the victor which a gentleman feels for anyone who beats him in a fair contest, and withal a fond and unflagging tolerance for whitefolk's vagaries like that of a grandparent for unpredictable and troublesome children, which I had forgotten.

She thought of them, woolly, shapeless; savage, petulant, spoiled, the flatulent monotony of their sheltered lives snatched up without warning by an incomprehensible moment of terror and fear of bodily annihilation at the very hands which symbolised by ordinary the licensed tranquillity of their lives.

He's crossed all the oceans all around the world.

The reason you will not say it is, when you say it, even to yourself, you will know it is true: is that it? But you know it is true now.

This was the mother, the dead sister Ellen: this Niobe without tears who had conceived to the demon in a kind of nightmare, who even while alive had moved but without life and grieved but without weeping, who now had an air of tranquil and unwitting desolation, not as if she had either outlived the others or had died first, but as if she had never lived at all.

...the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.

Though the mules plod in a steady and unflagging hypnosis, the vehicle does not seem to progress. It seems to hang suspended in the middle distance forever and forever, so infinitesimal is its progress, like a shabby bead upon the mild red string of road. So much so is this that in the watching of it the eye loses it as sight and sense drowsily merge and blend, like the road itself, with all the peaceful and monotonous changes between darkness and day, like already measured thread being rewound onto a spool. So that at last, as though out of some trivial and unimportant region beyond even distance, the sound of it seems to come slow and terrific and without meaning, as though it were a ghost traveling a half mile ahead of its own shape.

I kept thinking that. I don’t know why it is I can’t seem to learn that a woman’ll do anything.

And that wasn't the first time it ever occurred to me that this world ain't run like it ought to be run a heap of more times than what it is.

If you got something outside the common run that’s got to be done and cant wait, dont waste your time on the menfolks; they works on what your uncle calls the rules and the cases. Get the womens and the children at it; they works on the circumstances.

But then, poets are almost always wrong about facts. That’s because they are not really interested in facts: only in truth: which is why the truth they speak is so true that even those who hate poets by simple natural instinct are exalted and terrified by it.
No: that’s wrong. It’s because you dont dare to hope, you are afraid to hope. Not afraid of the extent of hope of which you are capable, but that you — the frail web of bone and flesh snaring that fragile temeritous boundless aspirant sleepless with dream and hope — cannot match it; as Ratliff would say, Knowing always you wont never be man enough to do the harm and damage you would do if you were just man enough. — and, he might add, or maybe I do it for him, thank God for it. Ay, thank God for it or thank anything else for it that will give you any peace after it’s too late; peace in which to coddle that frail web and its unsleeping ensnared anguish both on your knee and whisper to it: There, there, it’s all right; I know you are brave.

He just stood and looked at his dying mother, his heart too full for words.

The end of wisdom is to dream high enough to lose the dream in the seeking of it.

And then he died. He did not know he was dead.