Persons without education certainly do not want [lack] either acuteness or strength of mind in what concerns themselves, or in things immediately within their observation; but they have no power of abstraction — they see their objects always near, never in the horizon.

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The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner, and by the most striking examples of the same quality in other instances.

Man is, so to speak, an endless and infinitely varied repetition: and if we know what one man feels, we so far know what a thousand feel in the sanctuary of their being. Our feeling of general humanity is at once an aggregate of a thousand different truths, and it is also the same truth a thousand times told.

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Happy are they who live in the dream of their own existence, and see all things in the light of their own minds; who walk by faith and hope; to whom the guiding star of their youth still shines from afar, and into whom the spirit of the world has not entered! They have not been "hurt by the archers", nor has the iron entered their souls. The world has no hand on them.

THE rule for travelling abroad is to take our common sense with us, and leave our prejudices behind us. The object of travelling is to see and learn; but such is our impatience of ignorance, or the jealousy of our self-love, that we generally set up a certain preconception beforehand (in self-defence, or as a barrier against the lessons of experience,) and are surprised at or quarrel with all that does not conform to it. Let us think what we please of what we really find, but prejudge
nothing. [Notes of a Journey Through France and Italy]