Wyndham Lewis Quotes

The second cause (and this applies to a much smaller number of such people — only indeed, to the very cream and élite of them) is that some (born with a happy or unhappy knack not possessed by their less talented fellows) produce a little art themselves — more than the inconsequent daubing and dabbing we have noticed, but less than the 'real thing'. And with this class you come to the Ape of God proper. For with these unwanted and unnecessary labours, and the amour-propre associated with their results, envy steps in. The complication of their malevolence that ensues is curious to watch. But it redoubles, in the natural course of things, the fervour of their caprice or ill-will to the 'professional' activities of the effective artist — that rare man born for an exacting intellectual task, and devoting his life unsparingly to it.

The modern man whether of Bloomsbury Baltimore or Berlin has vanquished vanity — he offers himself to his own inspection as the worm he turns out to be. If he is vain at all, and it must be conceded that self-love is hard to kill, it is about his humility. His own Vernichtung is his greatest pride the laying bare of the nullity, the Nichtigkeit, that is the 'self' at the heart of energy (which is merely the doctrine of Xt that 'he who humbleth himself shall be exalted' ! Be modest, protest you are nobody, a biological bagatelle and hi presto! you will get top-marks, and be given authority, that is the idea — it is the christian strategy. …)

Sex was really all bluff — power the thing.

The Relativity theory, the copernican upheaval, or any great scientific convulsion, leaves a new landscape. There is a period of stunned dreariness; then people begin, antlike, the building of a new human world. They soon forget the last disturbance. But from these shocks they derive a slightly augmented vocabulary, a new blind spot in their vision, a few new blepharospasms or tics, and perhaps a revised method of computing time. (p. 336)

The novelty of any time enables people to pretend that they are existing in the state of society that in fact they have superseded. (It is an old political expedient to pretend to be what you have destroyed.) They will pretend that their abuses are old abuses and that only their reforms are new.

I am not in agreement with the current belief in a strained 'impersonality' as the secret of artistic success. Nor can I see the sense of pretending — as it must be a pretence, and a thin one, too — that in my account to you of what I have seen I can be impartial and omniscient. That would be in the nature of a bluff or a blasphemy. There can only be one judge and I am not he.<p>I am not a judge but a party. All I can claim is that my cause is not an idle one — that I appeal less to passion than to reason.

The art of advertisement, after the American manner, has introduced into all our life such a lavish use of superlatives, that no standard of value whatever is intact.

Every pastime has its attendant politics.

Men were only made into "men" with great difficulty even in primitive society: the male is not naturally "a man" any more than the woman. He has to be propped up into that position with some ingenuity, and is always likely to collapse.

Satire to be good must be unfair and single-minded. To be backed by intense anger is good — though absolutely not necessary.

[T]he world created by Art — Fiction, Drama, Poetry etc. — must be sufficiently removed from the real world so that no character from the one could under any circumstances enter the other (the situation imagined by Pirandello), without the anomaly being apparent at once.

[I]f within a decade and a half you massacre ten million people in war and another ten million in civil war, it is not easy after that to return to a morality that regards it as wrong to pocket a salt-spoon.

Being born in a stable does not make you a horse. But living in a studio produces in some persons a feeling that they should dabble and daub a little.

The als ob doctrine of a sportsmanlike average, that is the perfect democrat. […] If you do not acquire this simple democratic habit of make-believe, there is no place for you in contemporary life.

I should invent very little if I were a flatterer. […] I should just encourage people to describe themselves, and use the description they seemed most to relish.