The real field of knowledge is not the given fact about things as they are, but the critical evaluation of them as a prelude to passing beyond their given form. Knowledge deals with appearances in order to get beyond them. …. The concept of reality has thus turned into the concept of possibility. The real is not yet ‘actual,’ but is at first only the possibility of an actual. P. 145
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Showing in randomized order. Quotes by all originators born on July 19.
I rejoiced in my progress, mourned my weaknesses, and commiserated the universal instability of human conduct. I had well-nigh forgotten where I was and our object in coming; but at last I dismissed my anxieties, which were better suited to other surroundings, and resolved to look about me and see what we had come to see. The sinking sun and the lengthening shadows of the mountain were already warning us that the time was near at hand when we must go. As if suddenly wakened from sleep, I turned about and gazed toward the west. I was unable to discern the summits of the Pyrenees, which form the barrier between France and Spain; not because of any intervening obstacle that I know of but owing simply to the insufficiency of our mortal vision
A whole dimension of human activity and passivity has been de-eroticized. The environment from which the individual could obtain pleasure—which he could cathect as gratifying almost as an extended zone of the body—has been rigidly reduced. Consequently, the “universe” of libidinous cathexis is likewise reduced. The effect is a localization and contraction of libido, the reduction of erotic to sexual experience and satisfaction.
The modern is only in our desire. It is outside, everywhere, outside of us. The modern is not in our spirit. This is the anguish and the sickness of this century, the feverish huffing and puffing: life has escaped from the spirit. Life has changed, down to the bottom, and keeps on changing again, every day, restless and erratic. But the spirit remains old and numb and doesn't exert itself at all and doesn't move itself at all and only suffers helplessly, because it is lonely and abandoned by life.
The fault with Hegel lies much deeper than in his glorification of the Prussian monarchy. He is guilty not so much of being servile as of betraying his highest philosophical ideas. His political doctrine surrenders society to nature, freedom to necessity, reason to caprice. And in so doing, it mirrors the destiny of the social order that falls, while in pursuit of its freedom, into a state of nature far below reason. P. 218
The study he conducted with Dabholkar goes to explain why astrology is not a science through a simple experiment. They adopted an experiment conducted by Bernie Silverman, a graduate student of Michigan State University, USA. They collected horoscopes of 100 scholarly students and 100 students with learning difficulties.
Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread... ...Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]
"Do you promise you won't hurt me?" asked Arthur. "You will be safe from all harm for the space of a quarter hour, as measured by this clock," replied the Old One. "You are mortal enough that I would not slay you like a wandering cockroach, or a Denizen of the House." "Thanks," said Arthur. "I think."
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