It is strange that what a writer on Khwaja Moinuddin Chishti and the Dargah Sharief at Ajmer has said about the role of Raja Jaichand should have pre… - Praful Goradia

The pillars are some 30 feet high gorgeously carved either with exquisite designs up to a height of about 26 feet, thereafter adorned with delicate figurines . Uncannily, there is not a single figure whose face has not been cut off. Nowhere in Europe does one see such acts of vandalism, except what the original barbarian vandals themselves perpetrated under their king Gaiseric, in the wake of the conquest of Rome in 455AD. Hereafter, the word vandal became synonym with wilful desecration and destruction. The figurines on all the relics on display at the Rajputana Museum as well as those salvaged by the Archaeological Survey of India (ASI) duly locked in the compound of the Jhopra have been systematically defaced. Amongst the thousands of stone heads, not a single nose or an eye is visible.

A few masjids have undergone shuddhi, whether in full or part, while others are still unattended and deserve a change. For example, the Gobind Dev mandir at Vrindavan was returned to the Hindus by the British some 130 years ago. While Sultan Ghari at Delhi became a place of worship for all people; when, no one really knows. The saga at Ayodhya is incomplete. While the Nand and Rohini temple palace at Mahaban is believed to have been redeemed in the wake of independence. The edifices at Kannauj and Etawah have not undergone any stage of shuddhi. Since the cities are situated in Uttar Pradesh, the Waterloo of Aryavrat is a part of the series in the area. Quwwatul Islam at Delhi and the Adhai Din Ka Jhopra at Ajmer tell the tale of vandalism so eloquently that the viewer is shocked as he enters these masjids. The Krishnajanmabhoomi as well as Kashi Vishwanath are making do with pathetic alternatives for no shuddhi whatsoever has taken place. So also Ataladevi at Jaunpur and Bhojshala at Dhar. At Vidisha, all worship has been suspended while a great deal of the Rudra Mahalaya complex remains buried. The Adina masjid. at Maida has fallen into disuse as a place of worship, whereas Jungle Pir Baba as well as the shrine at Pavagadh are in full use as dargahs. Daulatabad is a case of redemption which took place on the morrow of the police action in 1948 against the Nizam of Hyderabad.

According to Luard,35 the inscriptions on the eastern and northern _gates indicate that the mosque was inaugurated by Amid Shah Daud Ghori, also known as Dilawar Khan, on January 17, 1405. The word "inaugurated" has been intentionally used, instead of Luard's use of "erected" because, evidently, the edifice is a mandir converted into a masjid. Incidentally, Emperor Jehangir called it Jami masjid. The Lat masjid has no minarets nor the traditional hauz in which the devotee can wash his hands and feet before performing namaz. It is a large rectangular pavilion with a great deal of open space in the centre. The four sided pavilion originally stood on some 300 square shaped stone pillars. On conversion by Dilawar Khan, the spaces between the outermost row of pillars were evidently filled with a wall somewhat thinner than the pillars. The entire scene is reminiscent of a temple rather than a mosque. However, such a feeling is not evidence enough of conversion by Dilawar Khan. Any number of pillars, however, on the eastern or the end opposite to where the mehrab and the mimbar are, have at their lower end, defaced carvings of murtis reminiscent of Vishnu. Every effort has been made on most such pillars to erase the statuettes but the outline of the murti is clearly seen. For example , the pillar at the corner of the eastern and the northern end has two statuettes on two faces of the pillar. Similarly, on the next pillar. Then coming to the south-eastern corner, every pillar bears Vishnu's image outline. All this shows that the Lat masjid is a blatant case of conversion from a mandir. It is not like several thousand mosques which were built with stones and statues, taken from demolished mandirs.