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" "Worth repeating that all of the police violence you see happening right now has been happening for a long time before there were any camera phones to record it. It's a daily phenomenon in communities across the country. It's structurally embedded into how these forces operate.
Clint Smith (born August 25, 1988) is a writer, poet and scholar living in the USA. He is the author of Counting Descent and How the Word is Passed.
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I think we tend to have this sort of bifurcated view and overly simplistic view of, like, “Oh, the people in the North were the good guys, and people in the South were the bad guys.” But there were a lot of people in the North, and, as I talked about, in New York City, who were deeply committed to the perpetuation and existence of slavery in the South, because it was beneficial for them economically, it was beneficial for them politically, it was beneficial for them socially. And it was in line with how they understood the role of enslaved people and Black people in this country. They might not have wanted to have owned enslaved people themselves, but they most certainly did not believe in abolition, or they most certainly did not think that they wanted something to prevent the massive influx of capital that they were receiving from continuing to flow into their hands.
What a lot of people don’t know is that New York City, for an extended period of time, was the second-largest slave port in the country, after Charleston, South Carolina; that in 1860, on the brink of the Civil War, when South Carolina was about to secede from the Union after the election of Abraham Lincoln, that New York City’s mayor, Fernando Wood, proposed that New York City should also secede from the Union alongside the Southern states, because New York’s financial and political infrastructure were so deeply entangled and tied to the slavocracy of the South; also that the Statue of Liberty was originally conceived by Édouard de Laboulaye, a French abolitionist, who conceived of the idea of the Statue of Liberty and giving it to the United States as a gift, that it was originally conceived as an idea to celebrate the end of the Civil War and to celebrate abolition. The original conception of the statue actually had Lady Liberty breaking shackles, like a pair of broken shackles on her wrists, to symbolize the end of slavery. And over time, it became very clear that that would not have the sort of wide stream — or, wide mainstream support of people across the country, obviously this having been just not too long after the end of the Civil War, so there were still a lot of fresh wounds. And so they shifted the meaning of the statue to be more about sort of inclusivity, more about the American experience, the American project, the American promise, the promise of democracy, and sort of obfuscated the original meaning, to the point where even the design changed. And so they replaced the shackles with a tablet and the torch, and then put the shackles very subtly sort of underneath her robe. And you can — but the only way you can see them, these broken chains, these broken links, are from a helicopter or from an airplane. And in many ways, I think that that is a microcosm for how we hide the story of slavery across this country, that these chain links are hidden, out of sight, out of view of most people, under the robe of Lady Liberty, and how the story of slavery across this country is very — as we see now, very intentionally trying to be hidden and kept from so many people, so that we have a fundamentally inconsistent understanding of the way that slavery shaped our contemporary society today.