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" "‘This damnable sex, boys - ah, you do well to writhe in your beds at the very mention of the word. All the evil of our modern times springs from unholy lust, the act of the dog and the bitch on the bouncing bed, limbs going like traction engines, the divine gift of articulate speech diminished to squeals and groans and pantings. It is terrible, terrible, an abomination before God and His Holy Mother. Lust is the fount of all other of the deadly sins, leading to pride of the flesh, covetousness of the flesh, anger in the thwarting of desire, gluttony to feed the spent body to be at it again, envy of the sexual prowess and sexual success of others, sloth to admit enervating day-dreams of lust. Only in the married state, by God’s holy grace, is it sanctified, for then it becomes the means of begetting fresh souls for the peopling of the Kingdom of Heaven.’
Anthony Burgess (25 February 1917 – 22 November 1993) was an English writer and composer whose novels include the Malayan trilogy, A Clockwork Orange, the Enderby cycle, Nothing Like The Sun, Earthly Powers and The Kingdom Of The Wicked. He also produced critical works on Joyce, Lawrence, Hemingway and Shakespeare, and studies of language and of pornography.
Biography information from Wikiquote
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A white woman tipsy at the club, discoursing sexual needs unsatisfied by an overworked and debilitated husband, was a great topic of scandal in the bazaar. It was a man’s world, and a realistic planter or government officer should have been content with beery sodality and the odd session with a geisha or perempuan jahat. But these men had been to decent schools and were romantic. It was the same in Burma, as Orwell reminds us. The French suffered less.
Look, I don't see why bad artists - I mean artists who are obviously incompetent... - why they should be presented hypocritically as good artists just because they're supposed to be advancing the frontiers of freedom of expression or... ...demonstrating that there should be no limit on subject matter.
‘That it is still possible for a man of initiative to make money in the East is the firm opinion of balding, plump Mr Denham who adds, however, “Not if you take a wife with you.” Mr Denham has scathing things to say about Englishwomen and their lack of domestic virtues. He particularly selects their cooking as a target, but considers also that they are far inferior to the slant-eyed beauties of the Orient in the all-important matter of fidelity to their menfolk. Mr Denham is considered an authority on the women of Japan who, he says, are lovely, demure and submissive....On his own admission he has little time for anything except money, dalliance, and the “imbibing of liquors of all kinds”.’