Script in television is easier: you can study it and do your homework. When doing “Kim’s,” I’m often three days ahead of schedule, learning my lines … - Paul Sun-Hyung Lee

When you are improvising a show, it’s different as well, because people understand you are improvising, you’re allowed to make mistakes. When you watch game shows, the really good ones, [they] look like they don’t ever miss a beat. I’ve realized that it’s because they are all edited within an inch of their lives, there were probably tons of mistakes, but it looks like everything is going smooth, but it’s like getting into the deep end of the pool and being forced to sink or swim. I’m curious to see how I was in the first episode versus the finale, as almost two different hosts because at the end I found my comfort zone, and I was more familiar with the language, the technical aspects of what was going on and being more engaged, getting to know the kids a lot better and getting to know the format a lot better.

When you’re 18 and you’re starting to lose your hair – it sucks. So, my agent always got me roles that were older than my actual age. I’m Asian and an actor and I worried about my appearance. I played dads, grand-dads and that was my career. But that taught me something: I learned that I’m never going to have a leading role but that doesn’t matter; I’m going to be the best actor I can – bit roles, whatever and that attitude made me a better actor. I believed I could be a character actor and that’s a thing to aspire to.

I fell in love with the craft of acting. Breaking down a scene, finding the beat, understanding character motivation – all of these things became real to me on a level that I had never before appreciated. It was more than just memorizing lines; it was excitement and never in a million years before this, did I think that this would be a job for me. And that was exciting as well!