The challenges utility brings to the sculptor's mind and art, are as varied as the people and the sites encountered with each commission. As sculptor… - Richard Hunt

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The challenges utility brings to the sculptor's mind and art, are as varied as the people and the sites encountered with each commission. As sculptors in our time respond creatively to the challenges that the opportunities for the greater utilization of sculpture impose, we establish links with the greatest traditions in sculpture, and with the largest and most diverse audience sculpture has ever had.

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About Richard Hunt

Richard Hunt (sculptor) (born September 12, 1935) is an American sculptor. In the second half of the 20th century, he became "the foremost African-American abstract scul ptor and artist of public sculpture." Hunt studied at the School of the Art Institute of Chicago in the 1950s. While there received multiple prizes for his work. In 1971, he was the first African American sculptor to have a retrospective at the Museum of Modern Art. Hunt has created over 160 public sculpture commissions, more than any other sculptor in prominent locations in 24 states across the United States. With a career spanning seven decades, Hunt has held over 170 solo exhibitions and is represented in more than 125 public museums across the world.

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I came to see the strength of my own roots and past. The success of the early phase of the civil rights movement, which resulted in voting rights legislation and the breaking down of obvious barriers like segregated drinking fountains and public accommodations, gave one a sense of being able to prevail. What happened after that was chastening, tempering. Another thing, too, is to discover the obvious—that the foundations of American society were built upon the backs of our forefathers.

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I am interested more than anything else in being a free person. To me, that means that I can make what I want to make, regardless of what anyone else thinks I should make. My art is about art—embracing a vision of the future that is unlike past futures.

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