(Would you say that your practice seeks to confront that ancestral trauma?) CV: I don’t think my work confronts it as much as faces it. In other word… - Cecilia Vicuña
" "(Would you say that your practice seeks to confront that ancestral trauma?) CV: I don’t think my work confronts it as much as faces it. In other words, it is my point of departure. I don’t think it’s something that can even be confronted because it has already happened. You have to allow for your being, your soul, your spirit, and your body to feel that and become fully aware of its importance. We now live in a culture that denies pain and denies trauma, and therefore if you deny that, not only are you bound to repeat it, but you’re bound to live in a world of lies. I think it’s very dangerous not to acknowledge such things. I think it is probably our first task. Otherwise I don’t think there’s going to be any more humanity.
About Cecilia Vicuña
Cecilia Vicuña (born 1948) is a Chilean poet and artist based in New York and Santiago, Chile.
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(What did ecofeminism mean to you in the 1970s and what does it mean for you, today in 2020?) CV: First of all, I never heard of the term ecofeminism in the ’70s, no one was using that term. [Laughter] I don’t know if anyone used the term to classify their art. I was thinking about it–I was doing it in the ’60s–I was working through what I was seeing and feeling while living in Chile, you know and being near the South Pacific Ocean. I was doing and making what people now call land art long before that language existed as a name or concept, and I’m not the only one either who was shaping the movement without using any terminology to define it.