The world is like a Mask dancing. If you want to see it well, you do not stand in one place. - Chinua Achebe

The total life of man is reflected in his art. And so when people come to us and say, "Why are you... you artist so political?" I don't know what they are talking about. Because art is political. And further more I'd say this, that those who tell you "Do not put too much politics in your art," are not being honest. If you look very carefully you will see that they are the same people who are quite happy with the situation as it is. And what they are saying is not don't introduce politics. What they are saying is don't upset the system. They are just as political as any of us. It's only that they are on the other side. Now in my enthusiasm, art cannot be on the side of the oppressor.

Okonkwo was popularly called the "Roaring Flame." As he looked into the log fire he recalled the name. He was a flaming fire. How then could he have begotten a son like Nwoye, degenerate and effeminate? [...] He sighed heavily, and as if in sympathy the smoldering log also sighed. And immediately Okonkwo's eyes were opened and he saw the whole matter clearly. Living fire begets cold, impotent ash. He sighed again, deeply.

Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft not the audience, that should be the greatest motivating factor. For me, at least, I can declare that when I wrote THINGS FALL APART I couldn't have told anyone the day before it was accepted for publication that anybody was going to read it. There was no guarantee; nobody ever said to me, Go and write this, we will publish it and we will read it; it was just there. But my brother-in-law who was not a particularly voracious reader, told me that he read the novel through the night and it gave him a terrible headache the next morning. And I took that as an encouraging endorsement!
The triumph of the written word is often attained when the writer achieves union and trust with the reader, who then becomes ready to be drawn deep into unfamiliar territory, walking in borrowed literary shoes so to speak, toward a deeper understanding of self or society, or of foreign peoples, cultures and situations.