Soon it will be achieved. The lie of television has been that there are contexts to which television will grant an access. Since lies last, usually, … - George W. S. Trow

Each one of these social generations—from the ‘50s, from the ‘60s, from the ‘70s, from the Reagan era, from now—thinks of its social aesthetic as definitive. In fact, they are all in a process: encouraged toward, and beyond, hubris, by demography.

World War II changed the demography. For a while, high seriousness was a part (only a part) of the mix. No one likes to think that the vector that has carried him into the demography could get lost in the demography, but that is what happens. Rock and roll—or the generating spirit of rock and roll—could get lost there, easily. And just think of all the ideas—and changes—there were implicit in the hegemony of rock and roll. We could be left with . . . just some of the music.

Our third American Tragedy is Martin Luther King. King was Mario Cuomo and Stevenson another way. Oh, he had some Roosevelt will to power, but Cuomo has a will to power, and Stevenson had a little, maybe more than I’m giving him credit for. He was who you wanted it to be, in a way. Old America. We’re singing spirituals again. We’re having dreams again. Well, that left mechanization entirely out of the question. There was no Hollywood there. There were no gangsters there. There was no World War II victory there. I hope everyone understands I’m being completely nonracist when I say he was Adlai Stevenson another way.