I can only speak of my own experience as a teacher who has worked in at least three universities in Nigeria. At the University of Lagos, I have only … - Peju Layiwola

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I can only speak of my own experience as a teacher who has worked in at least three universities in Nigeria. At the University of Lagos, I have only added my bricks to those of others who were there before me. Working with a team of committed staff as we have at Unilag has helped make changes to our art department. Also important is the support we get from committed friends within the art community.

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About Peju Layiwola

Peju Layiwola (born 29 September 1967) is an art Historian and visual artist from Nigeria who works in a variety of media and genre. She is listed as a "21st Century Avant-Garde" in the book Art Cities of the Future published by Phaidon Press. She is currently a Professor of Art and Art history at the University of Lagos and has been described as a "multitalented artist." Her works can be found in the collection of Microsoft Lagos, Yemisi Shyllon Museum, Pan Atlantic, Lagos and homes of private collectors such as JP and Ebun Clark and the Obi of Onitsha.

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Alternative Names: Adépéjú Olówu
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The renowned artist Demas Nwoko has proven the unique link between art and architect in his impressive oeuvre of works. There is a huge potential for tourism using the arts. Universities can benefit immensely from increased revenue with the expertise that the visual art portends. Art students are trained not to be seekers of employment but employers of labour, and by the time they graduate, they have a good understanding of what art and entrepreneurship means. The Department of Creative Arts has helped transform the cultural life of the university by organizing amazing music and theatre performances and also changing the landscape with sculptures. There is more that can be achieved.

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History has always held a fascination for me and has greatly defined the trajectory of my art. I have conducted two major exhibition projects that draw on the archives. One directly refers to the sack of Benin by British invaders in 1897 titled, “Benin 1897.com” (2010) and the other, a public art project, “Whose Centenary?” (2014) was inspired by the history of the amalgamation of the southern and northern protectorates of Nigeria. In both historical situations, Benin seems to be the location of the activation.

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