A constructive work is an embodiment of freedom itself, and is unconsciously perceived, even by those who are consciously against it. The desire to l… - Barbara Hepworth

A chance remark by Ardini, an Italian master carver whom I met there [in Rome], that 'marble changes colour under different people's hands' made me decide immediately that it was not dominance which one had to attain over material, but an understanding, almost a kind of persuasion, and above all greater co-ordination between head and hand. This thought has recurred again and again ever since - and has developed my greatest interests; the reason why people both move differently and stand differently in direct response to changed surroundings; the unconscious grouping of people when they are working together, producing a spatial movement which approximates to the structure of spirals in shells or rhythms in crystal structure; the meaning of the spaces between forms, or the shape of the displacement of forms in space, which in themselves have a most precise significance. All these responses spring from a factual and tactile approach to the object.

There is an oval sculpture of 1943. I was in despair because my youngest daughter, one of the triplets, had osteomyelitis. In those days the war was on and you couldn't get anything. She was ill for four years. I thought the only thing I can do to help this awful situation, because we never knew if it would worsen, is to make some beautiful object. Something as clean as I can make it as a kind of present for her. It's happened again and again. When my son died, he was killed [in the war], it's the only way I can go on.

Sculpture, to me, is primitive, religious, passionate, and magical.