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" "..I write you from the French front where I'am serving as a soldier in the Russian ambulance Corps. How are you feeling and what are you doing? How are your friends, Lissitsky, Libakov [also former students of Pen], Mazel, Mekler, and Chagall? Please, for God's sake, answer me. I would be so glad to hear how everyone is.
I'm in fine health, but tired of it all – it's utterly disgraceful, makes the soul turn cold. If only it [the war] would just end.
What are you working on, what are you doing? Please write me. – Yours Zadkine.
Ossip Zadkine (July 4, 1890 – November 25, 1967) was a Russian-born sculptor-artist who lived mainly in France where he was at first working in a Cubist idiom from 1914 to 1925. Later Zadkine developed his characteristic style, strongly influenced by African and Greek art.
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The composition, harmonies and proportions of those 'intended shapes' is the great and most difficult problem which the modern sculptor attacks, for sculpture is only forms, only spaces embraced by lines which demonstrate them. The secrets of a never dying piece of sculpture is to be had only by undergoing experience.
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We lived in a large wooden house, with one room succeeding another [Zadkine, recalling in this quote his childhood's days in Smolensk, Russia]. The house was at the end of a blind alley. On one side were a beautiful garden and an orchard. In the summer there was an atmosphere of fragrance and peace. A large room with three windows looked out into the courtyard. Bookshelves along the walls with books and more books; a black table and six ugly Viennese chairs, also black, and in the center of the bare, inhospitable table, a sort of vase in coloured plaster representing a hand holding a goblet. It was the only piece of sculpture in the house!