"Daybreak" At dawn she lay with her profile at that angle Which, when she sleeps, seems the carved face of an angel. Her hair a harp, the hand of br… - Stephen Spender

"Daybreak"

At dawn she lay with her profile at that angle
Which, when she sleeps, seems the carved face of an angel.
Her hair a harp, the hand of breeze follows
And plays, against the white cloud of the pillows.
Then, in a flush of rose, she woke, and here eyes that opened
Swam in blue through her rose flesh that dawned.
‘My dream becomes my dream,’ she said, ‘come true.
I waken from you to my dream of you.’
Oh, my own wakened dream then dared assume
The audacity of her sleep. Our dreams
Poured into each other’s arms, like streams.

English
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About Stephen Spender

Stephen Spender (February 28, 1909 – July 16, 1995) was an English poet and essayist who focused on themes of social injustice and the class struggle in his work.

Biography information from Wikiquote

Also Known As

Birth Name: Stephen Harold Spender
Alternative Names: Sir Stephen Harold Spender Sir Stephen Spender
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Shorter versions of this quote

Then, in a flush of rose, she woke and her eyes that opened Swam in blue through her rose flesh that dawned. From her dew of lips, the drop of one word Fell like the first of fountains: murmured 'Darling', upon my ears the song of the first bird. 'My dream becomes my dream,' she said, 'come true. I waken from you to my dream of you.' Oh, my own wakened dream then dared assume The audacity of her sleep. Our dreams Poured into each other's arms, like streams.

Additional quotes by Stephen Spender

Unless, governor, teacher, inspector, visitor, This map becomes their window and these windows That shut upon their lives like catacombs, Break O break open 'till they break the town And show the children green fields and make their world Run azure on gold sands and let their tongues Run naked into books, the white and green leaves open History is theirs whose language is the sun.

Surely, Shakespeare is wicked and the map a bad example With ships and sun and love tempting them to steal — For lives that slyly turn in their cramped holes From fog to endless night? On their slag heap, these children Wear skins peeped through by bones and spectacles of steel With mended glass, like bottle bits on stones. All of their time and space are foggy slum. So blot their maps with slums as big as doom.

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