There were men so ambitious that they would wipe the masters' behinds to hear them say thank you. - Émile Zola

What everyone agreed was not very nice, was the way Clémence had carried on. Obviously, she wasn't the kind of girl you'd ask again: she'd ended up showing off everything she'd got, and she'd puked all down one of the muslin curtains and completely ruined it. At least the men did go into the street to do it; Lorilleux and Poisson, when they felt queer, managed to dash as far as the pork-butcher's shop. Breeding always tells.

It was always the same; other people gave up loving before she did. They got spoilt, or else they went away; in any case, they were partly to blame. Why did it happen so? She herself never changed; when she loved anyone, it was for life. She could not understand desertion; it was something so huge, so monstrous that the notion of it made her little heart break.

In cima alla via Guénégaud, venendo dalla strada lungo la Senna, si trova il passaggio del Ponte Nuovo, una specie di corridoio stretto e oscuro che va dalla via Mazarino alla via della Senna. Quel passaggio ha, al massimo, trenta passi di lunghezza e due di larghezza; è selciato di pietre giallastre, consunte, sconnesse, che trasudano sempre un'acre umidità; la vetrata che lo ricopre, tagliata ad angolo retto, è nera di sporcizia.
Nei bei giorni d'estate, quando un ardente sole incendia le vie, un chiarore biancastro cade dai vetri sporchi e si trascina miseramente nel passaggio. Nei brutti giorni d'inverno, nelle mattinate di nebbia, i vetri gettano soltanto oscurità sulle pietre viscide, oscurità sporca e ignobile.