He was wearing a purple cloak over his shoulders in a strange, foreign fashion, his arms folded inside it. His face was deathly pale, but as his grea… - E. T. A. Hoffmann

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He was wearing a purple cloak over his shoulders in a strange, foreign fashion, his arms folded inside it. His face was deathly pale, but as his great black eyes stared at me, a dagger seemed to pierce my heart. A feeling of horror ran through me, and quickly turning my face away, I summoned all my strength and continued speaking. But as though compelled by some magic force, I could not help looking over towards him again and again. He still stood there, impassive and motionless, his ghostly eyes fixed upon me. Something resembling bitter scorn and hatred lay on his high, furrowed brow and his drawn lips. The whole figure had a horrible, frightening air about it. It was... it was the mysterious painter from the Holy Linden.

Cruel, icy fingers clutched at my heart. A fearful sweat on my forehead; my phrases stuck in my throat, and my speech became more and more incoherent. But the terrible stranger still leant silently against the pillar, his glassy eyes set unwaveringly on me.

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About E. T. A. Hoffmann

Ernst Theodor Wilhelm Hoffmann (24 January 1776 – 25 June 1822), better known by his pen name E. T. A. Hoffmann, was a German Romantic author of fantasy and horror, a jurist, composer, music critic, draftsman and caricaturist. He is the subject and hero of Jacques Offenbach's opera The Tales of Hoffmann, a fictionalized account.

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Also Known As

Native Name: Ernst Theodor Amadeus Hoffmann
Alternative Names: Ernst Theodor Wilhelm. Hoffman Ernst Theodor Amedeus Hoffmann Ernst Theodor Wilhelm Hoffman E.T.A. Hoffmann Ernst Theodor Hoffmann Amadeus Hoffman Amadeus Hoffmann E. T. Hoffmann ernst theodor amadeus hoffmann e. th. a. hoffmann Ernst Theodore Wilhelm Hoffmann Ernst T. A. Hoffmann Ernst Theodor Wilhelm Hoffmann
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Additional quotes by E. T. A. Hoffmann

There are... otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind.

Was she then to be lost to me? Nay, for as she left this vale of sorrows, she had kindled the eternal love that now glowed within me. I now know that her death was the consummation of that love which, as she had told me, rules above the stars and has nothing in common with the things of earth. Such thoughts as these lifted me above my earthly self, and these days in the convent were truly the most blissful of my whole life.

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As soon as Marie was alone, she quickly went over to do what was quite properly on her mind and what she could not tell her mother, though she did not know why. Marie still had the wounded Nutcracker wrapped in her handkerchief, and she carried him in her arms. Now she placed him cautiously on the table, unwrapped him softly, softly, and tended to the injuries. Nutcracker was very pale, but he beamed so ruefully and amiably that his smile shot right through her heart.

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