Contradiction constitutes the diabolical. ... The diabolical presents as essential what it simultaneously denies or renders impossible, so that we co… - D. C. Schindler

It is perhaps not an accident that stories often end with a marriage, since this provides a specifically dramatic conclusion that serves to gather together the infinite opposition of personalities into a single form. The fact that those who marry in so many traditional fairy tales disappear from the narrative into an implicit "happily ever after" perhaps betrays a sense deeply rooted in human culture that freedom and form belong together.

For all of their differences, Locke, Spinoza, and Kant ... share a common core in their conception of freedom, which we may justly characterize in general as "modern liberty": a view of freedom as spontaneous and unconditioned causality, or as active power that produces effects as a result of self-originating energy rather than receiving determination from outside of itself. What we wish to suggest ... is that such a conception of freedom, because it relentlessly separates potentiality from actuality, represents, in its depths, a flight from reality.

We will not pursue the question here about ... whether it is in fact possible to find some objective standard for judgments of taste once one has interpreted beauty essentially as an event in the brain. Indeed, if beauty is nothing more than a subjective feeling of pleasure, which occurs under certain conditions, then the question concerning objective standards loses any real urgency. It seems to me that, if the question was still posed with such zeal in the eighteenth and nineteenth centuries, it is due to a lingering sense that beauty is in fact something important, more than the mere turning of a screw in our mental machinery. If this is true, then the fact that people today seem less inclined to fight about judgments of taste, and show little interest in persuading others about what is beautiful, or learning to make good judgments, educating and forming their tastes, is something that should cause us great alarm. Our alarm ought to grow exponentially if it is in fact true that the way we experience and interpret beauty reveals an understanding of or disposition towards reality in general. In this case, to lose a sense of beauty's connection to reality is, I suggest, to lose a sense of the reality of reality tout court.