Martin Heidegger Quotes

It is said that "being" is the most universal and the emptiest concept. As such it resists every attempt at definition. Nor does this most universal and thus indefinable concept need any definition. Everybody uses it constantly and also already understands what is meant by it.

Who is to determine what the perfect is? It could only be those who are themselves perfect and who therefore know what it means. Here yawns the abyss of that circularity in which the whole of human Dasein moves. What health is, only the healthy can say. Yet healthfulness is measured according to the essential starting point of health. What truth is, only one who is truthful can discern; but the one who is truthful is determined according to the essential starting point of truth.

Kant speaks of the "thing-in-itself" (Ding an sich) in order to distinguish it from the "thing-for-us" (Ding fur uns), that is, as a "phenomenon." A thing-in-itself is that which is not approachable through experience as are the rocks, plants, and animals. Every thing-for-us is as a thing and also a thing-in-itself, which means that it is recognized absolutely withing the absolute knowledge of God. But not every thing-in-itself is also a thing-for-us: God, for instance, is a thing-in-itself, as Kant uses the word, according to the meaning of Christian theology. p. 5

Agriculture is now a motorized food industry, the same thing in its essence as the production of corpses in the gas chambers and the extermination camps, the same thing as blockades and the reduction of countries to famine, the same thing as the manufacture of hydrogen bombs.

Nietzsche … does not shy from conscious exaggeration and one-sided formulations of his thought, believing that in this way he can most clearly set in relief what in his vision and in his inquiry is different from the run-of-the-mill.

The will to the “true world” in the sense of Plato and Christianity … is in truth a no-saying to our present world, precisely the one in which art is at home.

In order to remain silent Da-sein must have something to say.

The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.

There is no information about the thingness of the thing without knowledge of the kind of truth in which the thing stands. But there is no information about this truth of the thing without knowledge of the thingness of the thing whose truth is in question. Where are we to get a foothold? The ground slips away under us. Perhaps we are already close to falling into the well. At any rate the housemaids are already laughing. p. 27

This is precisely what is decisive in Nietzsche’s conception of art, that he sees it in its essential entirety in terms of the artist; this he does consciously and in explicit opposition to that conception of art which represents it in terms of those who “enjoy” and “experience” it.
That is a guiding principle of Nietzsche’s teaching on art: art must be grasped in terms of creators and producers, not recipients. Nietzsche expresses it unequivocally in the following words (WM, 811): “Our aesthetics heretofore has been a woman’s aesthetics, inasmuch as only the recipients of art have formulated their experiences of ‘what is beautiful.’ In all philosophy to date the artist is missing.” Philosophy of art means “aesthetics” for Nietzsche too—but masculine aesthetics, not feminine aesthetics. The question of art is the question of the artist as the productive, creative one; his experiences of what is beautiful must provide the standard.

Being is only Being for Dasein

Enjoyment of the work consists in participation in the creative state of the artist.

Der Tod ist die Möglichkeit der schlechthinnigen Daseinsunmöglichkeit.

We think of beauty as being most worthy of reverence. But what is most worthy of reverence lights up only where the magnificent strength to revere is alive. To revere is not a thing for the petty and lowly, the incapacitated and underdeveloped. It is a matter of tremendous passion; only what flows from such passion is in the grand style.

The human being is not the lord of beings, but the shepherd of Being.